Wednesday, 31 October 2018

Award-winning Australian comedian Sarah Kendall will star in the bittersweet dark comedy Frayed

Award-winning Australian comedian Sarah Kendall will star in the bittersweet dark comedy Frayed, a Sky original production, co-commissioned with ABC in Australia. The comedy is the first scripted co-commission between the two broadcasters and is now filming in Newcastle (NSW), Sydney, and London.


Set in 1989, Frayed follows the journey of Sammy Cooper (Sarah Kendall), a fabulously wealthy London housewife who is forced to return to the town in Australia she grew up in. In coming home, Sammy must revisit her past and the events that led her to flee as a teenager years ago.


Painfully funny and sometimes dark, Frayed is full of complex characters, dubious decisions, and unfortunate events; and at its heart is the journey of one flawed family confronting their secrets and trying to find a way back.


Creator / Star Sarah Kendall says: 
"I just wanted to visit my family in Newcastle but I ended up shooting a 6 part comedy here for the ABC and Sky. I'm incredibly excited to be given this opportunity. And I also love free flights."


Sky's Head of Comedy Jon Mountague says: 
"We can all relate in some way to complex family drama, which is at the heart of this ingeniously written comedy. Sarah Kendall is an exceptional lead and I'm excited to add Frayed to Sky's line-up of original British comedy in 2019."


ABC Head of Comedy Rick Kalowski says: 
"Frayed is among the funniest, but also most moving, pieces I've ever had the pleasure to work on. I'd been a fan of Sarah Kendall's standup for years and am delighted to be collaborating with Sky, Sharon Horgan and Clelia Mountford's Merman, and Kevin Whyte's Guesswork to bring Frayed to Australian and worldwide audiences next year."


Frayed is written by Kendall and produced by Merman (Motherland/BBC, There She Goes/BBC, Women on the Verge/UKTV, Catastrophe C4/Amazon) the production company founded and run by award-winning duo Sharon Horgan and Clelia Mountford, in association with Australia's Guesswork Television (ABC's Rosehaven, Get Krack!n, Please Like Me).


Frayed (6x45') will air on Sky and streaming service NOW TV, and ABC in Australia in 2019.

Helen Mirren holds court as formidable Russian Empress in Sky and HBO’s Catherine the Great

Set against the lavish backdrop of the politically ruthless 18th century Russian court, this is the first image of Helen Mirren as one of the most powerful female leaders of all time, in Sky and HBO's original British drama Catherine the Great.


Starring alongside the Oscar® winner in the glittering and power-hungry court are Jason Clarke (Zero Dark Thirty) as Catherine's favoured statesman, military commander and lover Potemkin, BAFTA winner Gina McKee (Bodyguard), as Catherine's lifelong friend and confidante Countess Bruce, and Rory Kinnear (The Imitation Game) as Minister Panin, a skilful politician, advisor and governor to Catherine's son and heir Paul (Joseph Quinn).


Richard Roxburgh (Moulin Rouge) also joins as Grigory Orlov, one of Catherine's former lovers who, with his brother Alexei Orlov (played by Kevin R McNally, Unforgotten), orchestrated the coup that brought Catherine into power.


Currently shooting in palaces and sets across Russia, Latvia and Lithuania, this four-part epic will chart the latter years of Catherine's 34-year reign, as she builds Russia's reputation as one of the great powers of Europe.


The first-look image shows Helen Mirren as Empress Catherine in her private quarters modelled on the original Russian palaces and surrounded by hand-copied paintings from the Hermitage.


The wider cast includes Clive Russell (Game of Thrones) as The Fool, Sam Palladio (Nashville) as Catherine's young lover Alexander Vasilichikov, Lucas Englander (Genius) as Lieutenant Mirovich, Antonia Clarke (Les Misérables) as Princess Sophie, Paul Ritter (Friday Night Dinner) as General Suvorov, Paul Kaye as Pugachev, Thomas Doherty as Peter Zavadovsky, Raphael Acloque as Platon Zubov, James Northcote as Alexander Bezborodko and Andrew Rothney as Alexander Dmitriev-Mamonov.


Written by Nigel Williams (Elizabeth I) and directed by BAFTA and Emmy® Award-winning Philip Martin (The Crown), Catherine the Great is produced by Origin Pictures and New Pictures. It is the third commission from Sky and HBO's high-end global drama partnership.


The series will air on Sky Atlantic and TV streaming service NOW TV in the UK and Ireland next year, and on Sky Atlantic in Italy, Germany, Austria and Spain. Sky Vision will handle international sales and distribution.

Peter Jackson's First World War Film They Shall Not Grow Old set for television premiere on BBC Two

In a unique film commissioned by 14-18 NOW, Imperial War Museums in association with the BBC aims to bring to life the realities of the First World War for a whole new generation.


Peter Jackson's highly anticipated First World War archive feature film They Shall Not Grow Old is to receive its broadcast premiere exclusively on BBC Two on Sunday 11 November at 9.30pm, following its World Premiere at the London Film Festival in October. The film forms part of the BBC's commemorative coverage around the 100th anniversary of Armistice Day.


Co-commissioned by 14-18 NOW, the UK's arts programme for the First World War centenary, and Imperial War Museums, in association with the BBC, They Shall Not Grow Old has been created exclusively with original footage from Imperial War Museums' film archive and audio from BBC archives.


They Shall Not Grow Old uses the voices of the veterans combined with original archival footage to bring to life the reality of war on the front line for a whole new generation. Footage has been colourised, converted to 3D and transformed with modern production techniques to present never before seen detail.


Created to mark the centenary of the First World War Armistice, the internationally renowned director Peter Jackson (The Hobbit, The Lord Of The Rings) combined his personal fascination with the period and his Academy Award-winning directorial skills to bring the First World War to life in a way never seen before.


Peter Jackson, Director and Producer of They Shall Not Grow Old, says: "I wanted to reach through the fog of time and pull these men into the modern world, so they can regain their humanity once more - rather than be seen only as Charlie Chaplin-type figures in the vintage archive film. By using our computing power to erase the technical limitations of 100 year-old cinema, we can see and hear the Great War as they experienced it."


Tom McDonald, BBC Commissioner, says: "It's a great honour to broadcast Peter Jackson's extraordinary film, which brings the realities of World War One vividly to life."


They Shall Not Grow Old is directed by Peter Jackson, produced by Peter Jackson and Clare Olssen and edited by Jabez Olssen. Co-commissioned by 14-18 NOW and Imperial War Museums in association with the BBC, and commissioned by Tom McDonald, Head of Commissioning, Natural History and Specialist Factual, for BBC television.


Produced by WingNut Films and Executive Produced by House Productions. Supported by the National Lottery through the Heritage Lottery Fund and the Department for Digital, Culture, Media and Sport. Special thanks to Matthew and Sian Westerman with additional support from The Taylor Family Foundation, The Moondance Foundation, Welsh Government, Scottish Government, British Council, Tim and Sarah Bunting, Jacqueline and Richard Worswick and one anonymous donor.


Complementing the broadcast premiere of They Shall Not Grow Old, a special behind-the-scenes 30-minute Peter Jackson documentary under the What Do Artists Do All Day? strand, will be broadcast on Monday November 12 at 7.30pm on BBC Four.

Peter Jackson's First World War Film They Shall Not Grow Old set for television premiere on BBC Two

In a unique film commissioned by 14-18 NOW, Imperial War Museums in association with the BBC aims to bring to life the realities of the First World War for a whole new generation.


Peter Jackson's highly anticipated First World War archive feature film They Shall Not Grow Old is to receive its broadcast premiere exclusively on BBC Two on Sunday 11 November at 9.30pm, following its World Premiere at the London Film Festival in October. The film forms part of the BBC's commemorative coverage around the 100th anniversary of Armistice Day.


Co-commissioned by 14-18 NOW, the UK's arts programme for the First World War centenary, and Imperial War Museums, in association with the BBC, They Shall Not Grow Old has been created exclusively with original footage from Imperial War Museums' film archive and audio from BBC archives.


They Shall Not Grow Old uses the voices of the veterans combined with original archival footage to bring to life the reality of war on the front line for a whole new generation. Footage has been colourised, converted to 3D and transformed with modern production techniques to present never before seen detail.


Created to mark the centenary of the First World War Armistice, the internationally renowned director Peter Jackson (The Hobbit, The Lord Of The Rings) combined his personal fascination with the period and his Academy Award-winning directorial skills to bring the First World War to life in a way never seen before.


Peter Jackson, Director and Producer of They Shall Not Grow Old, says: "I wanted to reach through the fog of time and pull these men into the modern world, so they can regain their humanity once more - rather than be seen only as Charlie Chaplin-type figures in the vintage archive film. By using our computing power to erase the technical limitations of 100 year-old cinema, we can see and hear the Great War as they experienced it."


Tom McDonald, BBC Commissioner, says: "It's a great honour to broadcast Peter Jackson's extraordinary film, which brings the realities of World War One vividly to life."


They Shall Not Grow Old is directed by Peter Jackson, produced by Peter Jackson and Clare Olssen and edited by Jabez Olssen. Co-commissioned by 14-18 NOW and Imperial War Museums in association with the BBC, and commissioned by Tom McDonald, Head of Commissioning, Natural History and Specialist Factual, for BBC television.


Produced by WingNut Films and Executive Produced by House Productions. Supported by the National Lottery through the Heritage Lottery Fund and the Department for Digital, Culture, Media and Sport. Special thanks to Matthew and Sian Westerman with additional support from The Taylor Family Foundation, The Moondance Foundation, Welsh Government, Scottish Government, British Council, Tim and Sarah Bunting, Jacqueline and Richard Worswick and one anonymous donor.


Complementing the broadcast premiere of They Shall Not Grow Old, a special behind-the-scenes 30-minute Peter Jackson documentary under the What Do Artists Do All Day? strand, will be broadcast on Monday November 12 at 7.30pm on BBC Four.

Doing Money - A shocking true story about slavery in the UK

Written by Gwyneth Hughes and directed by Lynsey Miller, Doing Money is a shocking true story about slavery in the UK.


This fact-based one-off drama follows the heart-breaking and compelling story of Ana, a young woman snatched in broad daylight from a London street, trafficked to Ireland and used as a sex slave in a series of 'pop up' brothels. Ana's story offers a tense and thought-provoking thriller, with powerful insights into the challenges of policing a form of modern slavery that hides in plain sight. It exposes just how big business 'doing money' is.


The cast includes the lead Ana played by Romanian actress Anca Dumitra, the police investigator DI Dougie Grant will be played by Allen Leech. They are joined by Tom Glynn-Carney, Dragos Bucur, Alec Secareanu, Cosmina Stratan, Voica Oltean, Alina Serban, Turlough Convery, Karen Hassan and Jonathan Harden.


Doing Money is a 1x90' film produced by Renegade Pictures for BBC Two. It is written by Gwyneth Hughes, directed by Lynsey Miller and produced by Mike Dormer. Alex Cooke is Executive Producer for Renegade Pictures, and Lucy Richer for BBC Two.


Commissioned by Patrick Holland, Controller BBC Two and Piers Wenger, Controller of BBC Drama. Doing Money is produced in association with RTÉ and supported by Northern Ireland Screen, it will be distributed by Warner Brothers ITVP. Filming took place in and around Belfast.


Doing Money is part of BBC Two's Why Slavery? season: a season of ground-breaking films about slavery in the modern age.


This drama is based on the case of one particular person who was held as a sex slave for 10 months and trafficked around both Northern Ireland and the Republic of Ireland.


After her ordeal, she told her story to politicians at Stormont. Her testimony helped to contribute to the passing of the Human Trafficking and Exploitation Act, the first new law against slavery in the UK for almost 200 years.


Worldwide almost five million women and girls endured forced sexual exploitation last year.

Introduction by Gwyneth Hughes

Stolen off the streets of London, she was raped by thousands of men, starved, bullied and threatened by pimps who threatened to kill her mother if she resisted. Somehow the young woman we call "Ana" survived her slavery. Somehow she found the courage first to escape, and then to speak out. I met her and listened to her over many hours of interviews. The international trafficking story that unfolded is complex, astonishing, and heartbreaking.


But it was the details that stuck with me and rang round my head. One example: they took her glasses, so she could not see. The special cruelty of that very ordinary detail really caught my imagination as a writer. I've worn specs since the age of six and I can't imagine how I'd go about my normal life without them, let alone how Ana coped in her ordeal. Another example: her bewilderment at the critical reviews posted on sex websites by angry men. She wondered how they didn't notice the starved, bruised, desperate state of the young woman they'd just used.


There were glimpses of a better world. Ana was proud to tell me about "Sean", the drug dealer, in and out of prison, who unexpectedly became her friend, rescuer and champion. Alone among all the men she met in Ireland, north and south, this rackety young fellow produced a simple human response. "It's just wasn't right," he told me when I met him. "You can't treat a human being that way." And so he helped her, and the lights flickered back on in her darkness.


Today the real Ana is a lively, smiley young woman doing her best to put her life back together. Going back into these hellish memories has been hard for her. So it's been important to pay attention to her grief and her rage, and to treat her kindly as she relived the worst of her experience. But it's also been vital to keep a cool and rational head, to comb through the tumbling horrors, to double check, to read other witness statements, to talk to the police, to make sense of the unspeakable. Because when you make a drama out of a true story, everyone understandably wants to know - how true is it, really?


The answer is that everything you see in Doing Money really happened to Ana. All of it, and more. Much more. For ten long months she went to a place most British and Irish women have never had to see. A place where young women are for sale in an international marketplace, organized online, where there is no desire which cannot be met for money.

Doing Money - A shocking true story about slavery in the UK

Written by Gwyneth Hughes and directed by Lynsey Miller, Doing Money is a shocking true story about slavery in the UK.


This fact-based one-off drama follows the heart-breaking and compelling story of Ana, a young woman snatched in broad daylight from a London street, trafficked to Ireland and used as a sex slave in a series of 'pop up' brothels. Ana's story offers a tense and thought-provoking thriller, with powerful insights into the challenges of policing a form of modern slavery that hides in plain sight. It exposes just how big business 'doing money' is.


The cast includes the lead Ana played by Romanian actress Anca Dumitra, the police investigator DI Dougie Grant will be played by Allen Leech. They are joined by Tom Glynn-Carney, Dragos Bucur, Alec Secareanu, Cosmina Stratan, Voica Oltean, Alina Serban, Turlough Convery, Karen Hassan and Jonathan Harden.


Doing Money is a 1x90' film produced by Renegade Pictures for BBC Two. It is written by Gwyneth Hughes, directed by Lynsey Miller and produced by Mike Dormer. Alex Cooke is Executive Producer for Renegade Pictures, and Lucy Richer for BBC Two.


Commissioned by Patrick Holland, Controller BBC Two and Piers Wenger, Controller of BBC Drama. Doing Money is produced in association with RTÉ and supported by Northern Ireland Screen, it will be distributed by Warner Brothers ITVP. Filming took place in and around Belfast.


Doing Money is part of BBC Two's Why Slavery? season: a season of ground-breaking films about slavery in the modern age.


This drama is based on the case of one particular person who was held as a sex slave for 10 months and trafficked around both Northern Ireland and the Republic of Ireland.


After her ordeal, she told her story to politicians at Stormont. Her testimony helped to contribute to the passing of the Human Trafficking and Exploitation Act, the first new law against slavery in the UK for almost 200 years.


Worldwide almost five million women and girls endured forced sexual exploitation last year.

Introduction by Gwyneth Hughes

Stolen off the streets of London, she was raped by thousands of men, starved, bullied and threatened by pimps who threatened to kill her mother if she resisted. Somehow the young woman we call "Ana" survived her slavery. Somehow she found the courage first to escape, and then to speak out. I met her and listened to her over many hours of interviews. The international trafficking story that unfolded is complex, astonishing, and heartbreaking.


But it was the details that stuck with me and rang round my head. One example: they took her glasses, so she could not see. The special cruelty of that very ordinary detail really caught my imagination as a writer. I've worn specs since the age of six and I can't imagine how I'd go about my normal life without them, let alone how Ana coped in her ordeal. Another example: her bewilderment at the critical reviews posted on sex websites by angry men. She wondered how they didn't notice the starved, bruised, desperate state of the young woman they'd just used.


There were glimpses of a better world. Ana was proud to tell me about "Sean", the drug dealer, in and out of prison, who unexpectedly became her friend, rescuer and champion. Alone among all the men she met in Ireland, north and south, this rackety young fellow produced a simple human response. "It's just wasn't right," he told me when I met him. "You can't treat a human being that way." And so he helped her, and the lights flickered back on in her darkness.


Today the real Ana is a lively, smiley young woman doing her best to put her life back together. Going back into these hellish memories has been hard for her. So it's been important to pay attention to her grief and her rage, and to treat her kindly as she relived the worst of her experience. But it's also been vital to keep a cool and rational head, to comb through the tumbling horrors, to double check, to read other witness statements, to talk to the police, to make sense of the unspeakable. Because when you make a drama out of a true story, everyone understandably wants to know - how true is it, really?


The answer is that everything you see in Doing Money really happened to Ana. All of it, and more. Much more. For ten long months she went to a place most British and Irish women have never had to see. A place where young women are for sale in an international marketplace, organized online, where there is no desire which cannot be met for money.

Stacey Dooley gives a voice to homeless teens in new film for BBC Children in Need

Broadcaster Stacey Dooley MBE will uncover stories from the UK's homeless teenagers in a new film Stacey Dooley: The Young And Homeless for BBC Children in Need, coming to BBC One on 13 November at 10.45pm.


The film, from Bafta Award-winning True Vision Productions, gives a voice to some of society's most vulnerable young people, sensitively sharing their thoughts and concerns, shining a light on their struggle to find a safe place to sleep and their journey in securing a stable and permanent home.


Last year in the UK more than 100,000 young people presented themselves as homeless, but the real number is much higher as thousands of teenagers go under the radar by sofa surfing or staying with friends.


One of the young people featuring in the film is Shelby, aged 18, who became homeless after leaving the care system. Viewers hear Shelby's thoughts on the dangers of being on the streets of Manchester and how she would rather walk the streets all night than fall asleep for fear of being robbed.


Shelby says: "We just walk around… it's every man for themselves around here so it's [sleeping on the streets] not beneficial at all, it's dangerous.


"I think people misunderstand the concept of being homeless, because they think it's just people with a sleeping bag but it's not actually like that. There's more depth to it - anyone can be homeless. You can be homeless and have make-up, you don't have to look homeless to be homeless. A lot of people try their best not to look homeless because they are - so it's hidden. There are a lot more homeless people that what you can see with your eyes, Anyone can be homeless."


Viewers will also meet Millie, aged 17 from Devon, who shares her experience of finding herself without a home at the age of 14. Speaking to Stacey, Millie says: "Home life wasn't very good and there were a lot of issues growing up. My older siblings had moved out, my GCSEs were coming up and I knew what I wanted in life and I knew [leaving home] was the best thing for me.


"Not having a home makes you just feel worried, it's very exhausting. It affected my mental health quite a lot and I found myself getting down into really low places in my life and I found getting out of those low places were even harder just because of the situations going on. I was constantly stressed; I didn't really know what to do. I didn't know how to deal with myself and my own emotions, so I think it does really affect your mental health. As a teenager, you're already going through so many changes within yourself… your emotions feel so heightened all the time so to have to put all that stress on top of what you're going through already, it really does affect you.


"I think everybody needs a home or a safe place to be, otherwise you can't really move on with your life."


The film also follows 18 year-old Josh over a six-month period as he spends his nights on the streets of Blackpool in night shelters or sofa surfing - all whilst holding down a job at a local take-away and tirelessly striving to secure a permanent home.


Stacey Dooley: The Young And Homeless will also demonstrate how projects and organisations dedicated to supporting young people through these difficult times become a life-line, giving young people the hope they need to overcome their adverse situations. These organisations include Streetlife in Blackpool and Encompass South West in North Devon, which are supported by BBC Children in Need.


Streetlife currently receives over £99,500 across three years in BBC Children in Need funding to employ a full-time youth worker who can provide intensive one-to-one support for young people aged 18 and under who are at risk of, experiencing, or have experienced homelessness. Encompass South West currently receives £105,450 in BBC Children in Need funding over three years to provide The Junction project, supporting young people who are homeless or at risk of homelessness in rural communities. The project aims to help the young people to become safe, improve confidence and increase life skills.


Speaking of the film, Stacey says: "Our film for BBC Children in Need, shares stories from some incredible teenagers from across the UK facing the struggles of finding a stable roof over their heads. I am so grateful to all of the brave young people involved and hope that their honesty will go on to start a really important conversation about today's homeless young people.


"In addition, the film highlights how organisations and projects funded by public donations and charities such as BBC Children in Need go on to change the lives of young people who find themselves homeless or at risk or homelessness. I hope the British public are encouraged to tune in and donate to BBC Children in Need to enable the charity to continue to support children and young people who need it most."


Tommy Nagra, BBC Children in Need's Director of Content, adds: "With thanks to Stacey Dooley, our colleagues at the BBC and True Vision, we're pleased to be bringing this hugely poignant and thought-provoking film to viewers across the UK. Stacey Dooley: The Young And Homeless is a riveting watch, revealing just how serious the situation is and how important it is that we support our young people, who, for one reason or another, have found themselves without the comfort, safety and security of a home and with nobody to turn to."


Brian Wood, Founder of True Vision Productions, syas: "Stacey has once again shown in this film that she has an unrivalled ability to connect with young people in difficult situations. The four homeless teens who Stacey spent time with, in Blackpool, Manchester and Devon, illustrate many of the challenges facing young people in these situations, and articulate clearly and powerfully the profound need on the streets of the UK for the type of support BBC Children in Need provides. But Josh, Caitlin, Shelby and Millie a just four of over 100,000 teenagers who suffer homelessness every year. Every one of them needs our help."


Stacey Dooley: The Young and Homeless will air on BBC One during BBC Children in Need Appeal Week on BBC One on 13 November at 10.45pm. Those interested in finding out more about BBC Children in Need can visit bbc.co.uk/Pudsey.

Jamie Cullum to release BBC Children in Need’s official single for 2018

Love Is In The Picture by Jamie Cullum is BBC Children in Need's 2018 official single.


Singer-songwriter, Jamie Cullum is to release this year's official BBC Children in Need single, Love Is In The Picture. The emotive, uplifting single was written especially for BBC Children in Need by Jamie Cullum to celebrate and embrace the charity, and the children it works to support.


After revealing the news live on BBC Radio 2 this morning, Jamie said: "Earlier this month I visited two projects funded by BBC Children in Need, both of which work tirelessly to bring smiles and a sense of normalcy to children and young people.


"It's an absolute privilege to have been asked to provide a song for this year's BBC Children in Need campaign. I hope it goes on to raise money for more projects like those I visited."


Love Is In The Picture is available as a stand-alone charity single from today.


Jamie will give it its debut television performance live on the 2018 BBC Children in Need Appeal Show on Friday 16 November, at 9.50pm on BBC One.


The official BBC Children in Need single has an extensive history and, as the official artist behind this year's release, Jamie joins a long line of celebrated performers including Katie Melua, Craig David, Jess Glynne, Gareth Malone's All Star Choir, Ellie Goulding, and Girls Aloud.


All profits from the single will go to the charity, with a minimum of 40p from each single sale.


BBC Children in Need currently funds 2,700 projects supporting disadvantaged children and young people in communities across the UK.

Film4 receives 58 nominations for the British Independent Film Awards

Film4 received a staggering 58 nominations for the BRITISH INDEPENDENT FILM AWARDS 2018, announced this morning, including a clean sweep of all five films in the Best British Independent Film, Director and Screenplay categories, and the four most highly nominated films.


Director of Film4 Daniel Battsek commented: "Everyone at Film4 is thrilled with this morning's nominations and delighted for all our nominees. The breadth of our 10 nominated films, encompassing a debut, an English language debut, a couple of sophomore efforts, five filmmakers we've worked with before and one who we've just made our ninth film with, is a perfect snapshot of what we want a Film4 slate to look like, and a testament to how hard our whole team work to achieve that. We're looking forward to a celebratory night on December 2nd!"


Yorgos Lanthimos's The Favourite leads the nominations with 13, including Best British Independent Film, Director and Screenplay, and acting nods for Olivia Colman for Best Actress, and Emma Stone and Rachel Weisz for Supporting Actress.


Rachel Weisz was also recognised in the Best Actress category for Sebastián Lelio's Disobedience, which picked up five nominations including Best British Independent Film, Screenplay, Supporting Actress for Rachel McAdams and Supporting Actor for Alessandro Nivola.


American Animals was the second most nominated film with 11 nominations including Best British Independent Film, Director, Screenplay and Debut Screenplay for Bart Layton, while Barry Keoghan and Evan Peters compete against one another for Supporting Actor.


Debut feature Beast was the third mostly highly recognised film with 10 nominations including Best British Independent Film, Director, Screenplay, Debut Director and Debut Screenwriter for Michael Pearce, and Jessie Buckley competing in both Best Actress and Most Promising Newcomer categories.


You Were Never Really Here was the fourth most recognised film. Its eight nominations included Best British Independent Film, Director and Screenplay nominations for Lynne Ramsay, and a nod for Best Actor for Joaquin Phoenix.


Andrew Haigh (Director) and Charlie Plummer (Actor) were among the four nominations for Lean on Pete, while Mike Leigh's Peterloo also picked up four nominations in craft categories. There were also nominations for Been So Long (Michaela Coel for Best Newcomer), Pawel Pawlikowski's Cold War (Best International Independent Film) and An Evening With Beverly Luff Linn (Costume Design).

Interview with Isaac Ezban


10 Questions with Isaac Ezban, director of PARALLEL

Q: PARALELL is the first film you didn’t write yourself (Scott Blaszak did) but it feels so like one from your heart - dealing with the ramifications of identity, life-shattering decision-making and the possibilities of an endless universe as also explored in THE INCIDENT and THE SIMILARS?

Yes, that its right, I had many firsts on this one: first movie in English, first movie outside of my country with a completely new crew, first studio film, first film in Canada, and first film I didn´t write, and all those firsts added up to an amazing experience. After THE INCIDENT and THE SIMILARS, I really had the curiosity to do sci-fi in English, and also of doing a film I didn´t write, of jumping on board someone else´s story and bring my vision and style to it. I read many scripts and suddenly I read PARALLEL and I was like – HOLY SHIT!!! I NEED to direct this movie!  My vision was to create a FLATLINERS meets THE SOCIAL NETWORK, a movie that would feel both serious and fun, both sci-fi and drama, both classic and very modern, and that was in the script.


Q: It’s your first film in the English language, did that cause any problems for you?

Not at all. Luckily my English is good and it almost felt like directing in my own language.


Q: Georgia King (TORMENTED) is one of our favourite actors. Why did you cast her? And how did you manage to get such Hollywood royalty as Kathleen Quinlan involved?

Georgia is a force to be reckoned with! I needed an actress that could convey that strength, smartness and also beauty and innocence that Leena has and it was amazing to find Georgia for the role. It’s also a role that has some comedy to it and I liked her comedic background. For that opening role (its kind of our Drew Barrymore on SCREAM), we wanted an older actress, one that had a lot of experience and a name people could recognize. Kathleen was amazing to work with. I simply could not believe I was working with an Oscar nominated actress… she was great, so professional and talented.


Q: PARALELL is essentially a sci-fi fantasy but its serious intent is being more an exploration of the ethics of manipulating destiny?

Exactly, on one hand it’s a great, mind-blowing story where we touch the tip of the iceberg regards the ramifications of parallel universes and such, and a classic sci-fi story of playing with fire - a classic fable of characters finding a special power and playing with it a bit too much, As a metaphor on ambition it resembles films like SHALLOW GRAVE, CHRONICLE, FLATLINERS, PRIMER, but is a sci-fi version,


Q: There are some terrific alternate universe touches like when Josh comes across a DVD copy of a ‘Frankenstein’ remake starring Ryan Gosling and Emma Stone! You must have had fun with those?

Yes, we had a lot of fun with all that! We had stories of parallel universes before, but never through the world of intellectual property, art, gadgets, ideas you can steal, etc.), and I like how the film is mainly about these four guys who belong to the new generation of entrepreneurs that want to be the next Mark Zuckerberg or Steve Jobs, so, the premise is, what if one of those guys would find this infinite portal to infinite ideas? And that’s mainly what the film is about.


Q: What we liked most about PARALLEL is that it’s a very compelling character study beyond it progressing from the comedic to the horrific. Was that always your intention?

Yes, completely! I´m happy you say that because, for me, the film is more a character drama than a sci-fi film, and all those movies I mentioned we had as reference are all like that, great character explorations! The ramifications of the relationships between the four characters are really interesting (each has a very special relationship with the other), and those are my favourite sci-fi movies, the ones that explore human metaphor, which,  in PARALLEL, is human ambition, this great force that makes us so strong, and that can also destroy us.


Q: You shot the movie in Vancouver, how was working in Canada and out of your Latin American comfort zone?

It was an amazing experience working in Vancouver.  I love the city (I want to live there) and the producers had a great vision of bringing a DP from Toronto, a director from Mexico, an actress and an actor from the UK, an actor from Sweden and an actor from Canada and put them all together in the same building. We had a lot of fun together.


Q: Are you still involved in Sony’s plan of bringing Dan Simmons' acclaimed horror novel ‘Summer Of Night’ to the screen?

Yes, still involved and very excited about it. It’s moving slowly, as development is always complicated when adapting such a long and complex novel, but I know we will get to it soon enough! Very excited about that project.


Q: You are also in the business of film exhibition and are one of the founders of the Autocinema Coyote, the first Drive-In Theatre to open in Mexico City for over 30 years. Are you essentially making the sort of movies you want to see playing in such a classic venue?

That’s a great question… originally yes, that was the idea, although we now play all kinds of stuff as its one of the only theaters in the world where the audience choose the programming. We also opened the Drive-in to give back that experience to the people, and because it’s something we never had…


Q: Your 2010 short NASTY STUFF prompted fellow Mexican director Guillermo del Toro to say he was impatient to see you tackle a feature film. What do you think he would say now after you actually making three?

I have met him in person. He´s an amazing human being and an amazing director, and I’m trying to learn from him on both ends. I know he has seen my first movie THE INCIDENT and really liked it, gave me a quote for the poster and all, and has always supported me and knows of what I´m doing. I would love to work with him one day.



PARALLEL plays at Arrow Video FrightFest Halloween on Sat 3rd October, Cineworld Leicester Sq.

Tickets: https://frightfest.nutickets.com/52948

Bloody Ballet - Caroline Williams and Debbie Rochon in the most unique horror film of 2018


In the tradition of Suspiria, and featuring horror icons Caroline Williams and Debbie Rochon, Bloody Ballet arabesque’s onto November 13 from High Octane Pictures.

When a beautiful ballerina dancer, Adriana Mena (Kendra Carelli, Guardians of the Galaxy Vol. 2), lands the lead role in the upcoming Nutcracker performance, she's forced to face her demons as jealousy and tension begin to provoke the supernatural.

A Giallo film -  a horror-thriller that blends the atmosphere and suspense of thriller fiction with elements of horror fiction and eroticism – in the vein of Dario Argento's and Suspiria and Sergio Martino's Torso - Bloody Ballet is a tour-de-force for rising filmmaker Brett Mullen, who co-wrote the script with Matt Cloude. 

Caroline Williams (Texas Chainsaw Massacre II, Halloween II), Debbie Rochon (Model Hunger, Death House), Katie Carpenter (“The Haunting of Hill House”), Brett Wagner (The Happytime Murders), and Rob Springer (Bombshell Bloodbath) star in Bloody Ballet, out November 13 on VOD and December 4 on DVD.

Synopsis :
When a beautiful ballerina dancer, Adriana Mena (Kendra Carelli), lands the lead role in the upcoming Nutcracker performance, she's forced to face her demons as jealousy and tension begin to provoke the supernatural.


BLOODY BALLET
On VOD November 13

Horror sequel ELVES releases first trailer ahead of December release!


Christmas is under siege from a horde of evil elves in Jamaal Buden’s frighteningly fun Elves, on VOD and DVD this December!

The Holiday Reaper, a ruthless killer that terrorized a small Texas town, has been caught. While celebrating, a group of friends find an elf inside a magical toy box.  When a freak accident kills one of them, they discover a group of elves have been scattered throughout town, each representing one of the seven deadly sins.  It's a race against time to survive the elves’ wrath before Christmas ends.

Horror staples Justin Price (The Elf) and Khu (Dark Moon Rising) produce.

Lisa May, Deanna Grace Congo, Stephanie Marie Baggett and Amy Jo Guthrie star in Elves, on VOD and DVD December 4 from Uncork’d Entertainment.

Synopsis : The Holiday Reaper, a ruthless killer that terrorized a small Texas town, has been caught. While celebrating, a group of friends find an elf inside a magical toy box.  When a freak accident kills one of them, they discover a group of elves have been scattered throughout town, each representing one of the seven deadly sins.  It's a race against time to survive the elves’ wrath before Christmas ends.


ELVES
On VOD and DVD December 4

Robin Hood - New Clips


The time has nearly come to join the Hood. We are thrilled to share with you 3 new clips for Robin Hood which is released in cinemas November 21. The film is directed by Otto Bathurst (Peaky Blinders & Black Mirror) and stars Taron Egerton, Jamie Foxx, Ben Mendelsohn, Eve Hewson, Tim Minchin and Jamie Dornan.

SYNOPSIS:
Robin of Loxley (Taron Egerton) a war-hardened Crusader and his Moorish commander (Jamie Foxx) mount an audacious revolt against the corrupt English crown in a thrilling action-adventure packed with gritty battlefield exploits, mind-blowing fight choreography, and a timeless romance.

In cinemas November 21.



Tuesday, 30 October 2018

Callum Turner and Holliday Grainger to lead the cast of BBC One’s conspiracy thriller The Capture

Written and directed by Ben Chanan (Cyberbully) and produced by Heyday Television and NBCUniversal International Studios, Callum Turner (War and Peace, Fantastic Beasts: The Crimes of Grindelwald) and Holliday Grainger (Strike, Cinderella) will lead the cast of The Capture, an acutely timely surveillance thriller set in London for BBC One.


When proud British soldier Shaun Emery's (Turner) conviction for a murder in Afghanistan is successfully overturned due to flawed video evidence, he begins to plan for his life as a free man with his six year old daughter. However, when damning CCTV footage emerges from an incident in London, it isn't long before Shaun finds himself fighting for his freedom once more, only with lies, betrayal and corruption spreading further than he ever could have imagined. With DI Rachel Carey (Grainger) drafted in to investigate in what could be a career-defining case, she must discover if there is more to the shocking evidence than first meets the eye. Rachel will soon learn that the truth is merely a matter of perspective - before deciding what hers is.


With an adamant Shaun battling with his tormented past in order to clear his name once and for all, The Capture looks at a troubling world of misinformation, fake news, and the extraordinary technological capabilities of the intelligence services. In the post-truth era and when criminal justice relies so heavily on video evidence, can we always believe what we see?


Callum Turner says: "The Capture is one of the best things I've ever read and I jumped at the chance to join this wonderful team of people. Shaun Emery is an antihero. He's funny yet wounded, complex, visceral and dangerous. The epic journey he goes on was one I wanted to travel."


Holliday Grainger says: "I am thrilled to be joining the complex and intriguing world of The Capture. Ben Chanan's scripts are totally absorbing - I'm excited to explore the mind of DI Rachel Carey."


Ben Chanan says: "I am thrilled to have Holliday Grainger and Callum Turner leading our cast. As detective and suspect respectively, Rachel and Shaun must grapple their way through a world of deception and moral uncertainty. With Holliday and Callum, I feel blessed to have two such brilliant, dynamic and engaging lead actors taking us on that journey."


The Capture is a 6x60' series for BBC One, produced by Heyday Television and NBCUniversal International Studios. It is written and directed by Ben Chanan. Executive Producers are David Heyman and Rosie Alison for Heyday Television, Tom Coan for NBCUniversal International Studios, Ben Irving for BBC One and Ben Chanan. Derek Ritchie will serve as producer and it will be distributed by NBCUniversal International Distribution.


Filming will begin next month and further casting will be announced in due course.

BBC to mark Remembrance Week 2018 and the end of the First World War centenary

Following an ambitious four years of coverage to mark the centenary of the First World War, this November the BBC will mark Remembrance Week 2018, and the end of the war across TV, radio and online.


On TV, BBC One will air Remembrance programming including the Royal British Legion Festival of Remembrance 2018 and World War One Remembered: The Cenotaph - as well as specials of Antiques Roadshow and Countryfile, and the return of Home Front Heroes; BBC Two highlights include WWI: The Final Hours WWI's Secret Shame: Shell Shock with Dan Snow discovering how shell shock has evolved into cases of PTSD that modern soldiers suffer, and drama documentary two-parter 100 Days to Victory. BBC Three will be making acclaimed Our World War available again, and BBC Four highlights include a special What Do Artists Do All Day? on Peter Jackson and Dan Cruickshank will reveal the story behind the creation of the Commonwealth War Graves Commission Monuments Of Remembrance.


On Radio, BBC Radio 2 highlights include The Radio Ballads of the Great War Live, the Festival of Remembrance and Good Morning Sunday special. BBC Radio 3 will air Sonic Memorials; a Free Thinking on Wilfred Owen: Poetry and Peace and Opera on 3 - The Silver Tassie. BBC Radio 4 will conclude its broadcast of Home Front, air the Ceremony of Remembrance from the Cenotaph and A Service to Mark the Centenary of the Armistice and Tommies (w/t). BBC Radio 5 live highlights include The Dying Hours on 5 live Breakfast, Remembrance Sunday coverage from Folkestone Beach at the Pages of the Sea event, and coverage of events at the Cenotaph in London.


There will be the launch of a new digital experience, Armistice Day, which will help users explore what they might have done during the Great War through clips taken from the BBC Archive, personalised by where they live and whether they think they would have fought or stayed at home. The BBC is also releasing the award-winning virtual reality experience Nothing to be Written which received its world premiere at the BBC Proms this summer, and will be available to download for free. To mark the Two Minute Silence CBeebies and CBBC will simulcast Poppies, an evocative, dialogue-free animation set to a score by Steve Price and recorded by the BBC Philharmonic. And BBC NI, BBC Scotland and BBC Wales will all broadcast special TV and radio programming.


Tony Hall, Director General, BBC, says: "This centenary has inspired us all. It has re-defined how we remember, but also how we can engage creatively in events that took place 100 years ago and have shaped who we are today. I'm proud the BBC has played such a major part in that endeavour, working in partnership with so many organisations across the country. I've seen the difference we've made in communities, but also the way people have responded to the new stories we've been able to tell and to the moments of reflection that have brought us all together.


"And to mark the end of the centenary with Peter Jackson's masterpiece - as well as showcasing all the Armistice events - is, I think, a fitting tribute to all those who served and to those we remember."

Iconic MMO Old School RuneScape launches on iOS and Android today, after 1 million players pre-order it on mobile.

Tuesday 30th October 2018, Cambridge, UK – Old School RuneScape has today become the first mainstream PC MMORPG to launch in full on iOS and Android devices, Jagex has announced. The expansion onto mobile delivers interoperable cross-platform play, enabling players to jump from PC to mobile platforms and back again.


The game's much-anticipated arrival on mobile stores will fulfil over one million pre-orders or pre-registrations for the game placed by mobile gamers in its build to launch. In addition, a further million mobile gamers are already enjoying Old School on Android, following its Members' Beta and soft launch over the summer.


Offering hundreds of hours of adventuring in the free-to-download app, Old School RuneScape joins other popular subscription-based entertainment apps, such as Netflix, Spotify, and YouTube Premium, as it becomes the first mainstream game to transfer its monthly membership1 offering to mobile. Membership provides players with additional content, skills and quests.


Check out the launch trailer 
https://youtu.be/6uLnx4f4Bbo


Download the game for free here:https://go.onelink.me/8RQW/fc603b80


John Colgrave, Producer, Old School RuneScape, said:

"Delivering the same wealth of content as its PC counterpart, expanding Old School RuneScape's availability to mobile devices is an incredible achievement and one the team is extremely proud of. Its arrival on iOS and Android is something our community has been exceptionally hungry for and, through beta and soft launch, we've worked closely with them to refine and optimise Old School's mobile interface, including the introduction of a customisable, one-touch action button, and intuitive touch-screen controls."


Phil Mansell, CEO, Jagex, said:

"Today's launch of Old School RuneScape on mobile leads the charge as we bring two of the world's most popular MMORPGs to the world's most popular gaming devices. We believe in taking our living games to wherever our players want them and, with the mobile editions offering full and seamless cross-platform play with PC, players can now continue their adventures on either platform and on the move. The arrival of Old School RuneScape on mobile, and our ongoing work to also bring RuneScape to mobile, is testament to our investment in the continued growth for both titles and building our vision for living games."


Old School RuneScape is part of the $1 billion RuneScape franchise and is based on the iconic MMORPG as it was in 2007. Featuring adventures for solo play through to 100-player strong raids and delivering new lands and new adventures that take it far beyond a purely nostalgic vanilla experience, Old School RuneScape's popularity has continued to grow in its five years as a living game.


Old School features polled content that must be voted into the game by its players before being put live. Recently revealed content being polled includes a whole new territorial expansion – The Kebos Lowlands – which would bring a mix of low to high-level quests, monsters, and activities to the game. Future proposed content includes a new skill – Warding – and a lost elvish city, all subject to player backing.


Old School's competitive gameplay has made it the #1 MMORPG in competitive gaming thanks to the gripping Deadman tournaments. Streamed live on Twitch, the tournaments, plus all the other Old School streams, has made Old School one of the most-watched titles on the network.


Old School RuneScape is the first of two Jagex titles heading to mobile devices. The other,RuneScape, is currently in its own Members Beta on Android.

Fantastic Beasts: The Crimes of Grindelwald - Brand New Featurette


Newt’s never met a monster he couldn’t love… Here is a brand new featurette for Fantastic Beasts: The Crimes of Grindelwald introducing a host of new beasts, as well as the return of some old favourites.

Warner Bros. Pictures’ “Fantastic Beasts: The Crimes of Grindelwald” is the second of five all new adventures in J.K. Rowling’s Wizarding World™.

At the end of the first film, the powerful Dark wizard Gellert Grindelwald (Johnny Depp) was captured by MACUSA (Magical Congress of the United States of America), with the help of Newt Scamander (Eddie Redmayne).  But, making good on his threat, Grindelwald escaped custody and has set about gathering followers, most unsuspecting of his true agenda: to raise pure-blood wizards up to rule over all non-magical beings.

In an effort to thwart Grindelwald’s plans, Albus Dumbledore (Jude Law) enlists his former student Newt Scamander, who agrees to help, unaware of the dangers that lie ahead.  Lines are drawn as love and loyalty are tested, even among the truest friends and family, in an increasingly divided wizarding world.

The film features an ensemble cast led by Eddie Redmayne, Katherine Waterston, Dan Fogler, Alison Sudol, Ezra Miller, with Jude Law and Johnny Depp.  The cast also includes, Zoë Kravitz, Callum Turner, Claudia Kim, William Nadylam, Kevin Guthrie, Carmen Ejogo, and  Poppy Corby-Tuech.

First Poster for Korean Zombie Film Rampant


Rampant is a 2018 South Korean historical action zombie film directed by Kim Sung-hoon. It was released on October 25, 2018.

The action story of a hero named Yi Chung (Hyun Bin) who fights against “Night Demons” to save the Joseon nation. Yi Chung is the son of the king, and the greatest martial artist in the world. Although he is given to the Qing Empire as a political hostage, he returns home when his brother, the Crown Prince Yi Young (Kim Tae-woo), calls him back after many years. And it’s because of the nightmarish monsters plaguing the country that Yi Chung is tasked to destroy. Prince Yi Chung (Hyun Bin) will be fighting the nightmarish monsters alongside Kim Ja-joon (Jang Dong-gun) and Deok-hee (Lee Sun-bin)

Chinese poster for Fantastic Beasts: The Crimes of Grindelwald


In an effort to thwart Grindelwald's plans of raising pure-blood wizards to rule over all non-magical beings, Albus Dumbledore enlists his former student Newt Scamander, who agrees to help, unaware of the dangers that lie ahead. Lines are drawn as love and loyalty are tested, even among the truest friends and family, in an increasingly divided world.

Release date: 16 November 2018

The Long Journey Home - Release Trailer


In The Long Journey Home, a misfit crew finds itself stranded in space after mankind’s first experimental jump drive goes wrong. At the wrong side of the universe you’re alone, injured and your spaceship is falling apart. The only way back home is through the universe.

The Long Journey Home is a narrative-heavy rogue-style game where each universe is based on a random seed. Only some of the game’s content is available in each run like four out of the eight major alien races. The quests that you find and are offered can also vary with each run, depending on which crew members you have with you, luck, or how you interact with the different aliens.

This is also a goal built heavily around replay. Unlike most rogue games, you don’t gain power between runs. Instead, you gain knowledge – how the alien races think and are best dealt with, how to turn around negative situations, and where to find quests and opportunities. Sometimes, aliens will approach you for favors or will hunt you for your life.


However, to survive and thrive at the other end of the galaxy, you’ll need to be proactive. Explore ruins for technologies. Figure out how to flatter and bribe cultures into helping you. Ask for work and follow up on gossip. The more you learn, the better are your chances of making it home.

A successful run currently takes about 5-6 hours real-time, though you’re unlikely to get that far the first time through and there’s plenty more to see and do even after that! Try different seeds, crews, and approaches if you’re having difficulties. There’s always a way to progress, even in the worst of situations…

In addition, keep in mind that The Long Journey Home is a challenging game and on your attempt to get home you’ll fail multiple times! You have to adapt to friendly and hostile aliens as well as different planets’ geographies. Be sure to check every planet’s details before attempting to land and getting your hands on valuable resources, as some are dangerous and you’ll take damage simply by being there, while others have high wind, gravity, and temperatures that make piloting extra dangerous.



From the director of Loose Change comes Black & Blue


From acclaimed filmmaker Dylan Avery – director of the renowned 911 documentary Loose Change – comes the most confronting and powerful film of the year, Black & Blue.

Black & Blue, premiering exclusively on Amazon digital (Prime and instant) on November 1st, tackles the confronting topic of police brutality, racial issues and social justice in America.

Featuring Method Man, Charlie Murphy, and Flavor Flav, Black & Blue is a documentary about police brutality that follows a DJ beat up by off duty DEA agents, a man arrested for filming a police officer, and many others as they fight for justice for their loved ones.

Black & Blue will be available exclusively on Amazon November 1 from Wild Eye Releasing in association with Summer Hill Entertainment.

Monday, 29 October 2018

Louis Theroux discusses his new BBC Two series Altered States


Louis Theroux will return to BBC Two on Sunday 4 November with a new series exploring the unusual ways modern America deals with birth, love and death.

Changing social attitudes and radical new laws have transformed how Americans can experience some of life’s most intimate moments - how we raise children, how we love and even how we die. Twenty years since Louis first hit our screens with his pioneering series Louis Theroux’s Weird Weekends, the award-winning documentary-maker is back with three gripping new films.


Altered States tackles three particularly challenging subjects - polyamory, adoption and assisted dying. What made you want to cover these topics?
Altered States was an attempt to take a look at the most intimate and most difficult sides of life (birth, love and death) in an American context, and specifically ways in which these issues are being handled differently. As a production team, we always tend to look at knotty issues, issues where there is angst, where there is high emotion, where there are wrenching decisions to be made. And within that we became interested in the almost utopian ways in which, in America, they attempt to do things a bit differently. Full disclosure - the series was incubated over a few months and slightly on the fly - we didn’t sit down and think, let's do a three-parter called Altered States. It kind of evolved.

The first one we made was about open adoption. I was interested in the difficulty of mothers handing over their newborn babies for adoption, and then, around the same time, we began talking about the way in which dying is changing in America - and specifically that people with terminal illnesses in certain states can now opt to be prescribed life-ending medication. And then, finally, polyamory came up as a subject. We noticed that all of these, in different ways, were attempts to deal with age-old situations in a new way.


You don’t shy away from covering controversial subjects - what gives you the inspiration and confidence to be so bold in your film-making?
I take on difficult subjects because it’s what I find most interesting, and if anything, it’s in a spirit of self-doubt and anxiety that I tend to take on difficult subjects. In other words, my biggest fear as a programme maker is the idea of either being boring, or presuming on the goodwill of the audience that they’ll want to see whatever I do. That runs completely counter to how I see myself, which is as a journalist and a curious person, but not as an entertainer who is interesting in his own right.

Parenthetically, I’d have to say that the lighter subjects are the hardest ones to do. When you’ve got 60 minutes to fill, you have to have something pretty big that you’re exploring thematically and emotionally. It’s happened in the past where I’ve gotten 30 or 40 minutes into a film and realise, wow – what do we do for our finale? That being said, over the years it has taken time to earn the right to tell stories that are very stressful, intimate and difficult. That’s been a process of learning how to do it. I’ve come from a background where what I was doing was quite tongue in cheek – like Weird Weekends. To go from that into stories about trauma, involving very vulnerable people... it was just a case of learning how to do that gradually.


What were your opinions of these topics beforehand and were they changed at all in making these films?
It’s almost always the case that when you go into covering a story, you have some preconceived ideas. You have an opinion on subjects - whether it’s something like assisted dying or polyamory. And then you immerse yourself in the research and you figure out what you really think about any given subject, based on your values - which for me are more-or-less liberal and humanistic. It would be quite weird to come at a subject as a completely blank slate. And then in the course of meeting people you try and make yourself open to being surprised.

Sometimes it is surprising the ways in which either making a connection with someone, or an argument someone, makes - or just being around someone for weeks slightly tweaks your experience or understanding of it. For example, in the assisted-dying film there are groups that educate people on 'end-of-life options' and telling people how to make devices which will end their life. I went into it in the spirit of 'people should be allowed to do what they want - it’s your life, do what you want with it' – within the law. And then, it was in the act of telling the story that I became more sensitised to the problems with it. So I do go on a journey with the stories.


Many of your works over the years have been set in the United States - what is it about the US that attracts you?
It’s a combination of things. One is the size of the place, the number of people - America is the world's global superpower - and part of that is because there’s money, there’s space and there’s an abundance of strange things happening.

There’s also something in the fact that the American personality tends to be expressive and uncensored and outgoing. And you’ve also got the common language. There’s probably amazing stories in Russia that I would struggle to tell because so many of the programmes I make revolve around shared language. Beyond that, there may be some sort of ineffable American quality to do with ingenuity, utopianism, and the urge to do things a bit differently. That’s a bit harder to put my finger on - but that may be there as well.


What do you hope viewers will take away from Altered States?
As with all my programmes, I’m aware that I’m taking on subjects that are outside the mainstream or involve situations that are, by their nature, imbued with angst or emotional upset. The idea in general is to create a human connection - and that’s the connection that sits between myself and the contributors that allows them to open up and express something that has great meaning for them.

But there should also be a connection with the viewers: hopefully they will appreciate what’s involved in these very difficult decisions and maybe open their minds to different ways of doing things and challenge their own preconceptions. In meeting people who appear to be good people, people who are sensitive and thoughtful and kind but who are doing things in a different, possibly counter-intuitive way, you can go on a journey with that person and open up new perspectives.

Sara Cox to present new weekday Drivetime show on Radio 2, Trevor Nelson to present 10pm-midnight show


2019 will ring in the changes for Radio 2 with a new schedule for a New Year.

Sara Cox, who currently presents the 10pm-midnight show each Monday to Thursday, will present a brand new weekday Drivetime show on BBC Radio 2 from 5pm-7pm. The programme will build on the success of Sara’s current show, and will be jam-packed with listener interaction, brilliant music and fun-filled chat.

Sara says: “I’ve been proud to be part of the Radio 2 family for a few years now and the opportunity to present such a big show as Drivetime - playing fantastic music and hopefully making people smile as they cook tea or head home after a day’s graft - is the icing on what is already a very brilliant cake. I’m beyond chuffed to be given this role and to directly quote my mum on hearing the good news, it is indeed ‘fandabbyruddydozy’.”

Trevor Nelson will now move his Rhythm Nation show from Saturday nights (8pm-10pm) to each Monday-Thursday night from 10pm-midnight. The show will continue to bring listeners the perfect soundtrack of Soul, R 'n' B, Dance, Disco and Reggae to celebrate the end of the day and liven up weekday nights.

Trevor says: "To present eight hours a week of the music I love on BBC Radio 2 is a dream come true for me. I’ll be introducing tracks from some soul stars of the future as well as playing some of my favourite songs from the past 50 years of dance music, from Motown to the present day. Bring it on!"

Lewis Carnie, Head of Radio 2, says: "Sara is hugely popular with the Radio 2 audience and I have every confidence that she’ll make the new Drivetime show her very own. Trevor is one of the leading lights in soul music in the UK, and he’ll bring his curated blend of music to Monday to Thursday nights, which I know our listeners will love. With Zoe Ball at Breakfast and Jo Whiley from 7pm-9pm each weekday, 2019 looks to be an extremely exciting year for Radio 2."

Sara joined BBC Radio 1 in 1999 to present a Saturday lunchtime show, moving on the following year to present the Radio 1 Breakfast Show until December 2003. Over the next 11 years Sara presented various shows on the network, including the weekday afternoon show, a Saturday and Sunday weekend afternoon show and weekday mornings.

Sara covered various shows on Radio 2 from June 2011, and landed her own show on the network in 2013 by launching Sounds Of The 80s, which she presented until earlier this year. Sara also fronted the show’s BBC Red Button specials featuring interviews with some of the 80s most popular musicians. Sara began presenting her 10pm-midnight show on the station in May 2018 and has also covered for Chris Evans on the Breakfast Show in recent years. In 2017, Sara raised an incredible £1,242,624 for Comic Relief by taking part in a non-stop 24-hour Dance Challenge to 80s music, live from Wogan House.

Trevor kicked off his radio career at pirate station Kiss FM in 1985, transferring to Saturday nights on BBC Radio 1 in 1996 to present the first ever national R’n’B show, The Rhythm Nation, for 17 years. Trevor also joined BBC Radio 1Xtra in 2007 to present the Breakfast Show, then the 10am-1pm weekday show until November 2016, when he moved to weekends 4pm-7pm.

Trevor made his Radio 2 debut in 2008 by presenting a weekly Wednesday night soul show and in July 2016, he launched Rhythm Nation on Saturday evenings. Trevor has also covered for Ken Bruce (weekdays, 9.30 – noon). Trevor has won a variety of plaudits including four MOBO (Music Of Black Origin) Awards and an MBE for services to the community following his work as an ambassador for the Millennium Volunteers. In 2010 he received a Gold Lifetime Achievement Award at the Sony Radio Academy Awards for his services to broadcasting.

Trevor will continue to present on BBC Radio 1 Xtra, Saturday and Sunday 4pm-7pm.

Sara takes over from Jo Whiley and Simon Mayo, who currently present each weekday from 5pm-8pm (5pm-7pm on Fridays), and follows the announcement that Simon Mayo will be leaving Radio 2, and Jo Whiley will be launching a new Monday-Thursday show from 7pm-9pm.

We will announce who will host the Saturday night 8pm-10pm slot in due course.

The First: Interview with Natascha McElhone who plays Laz


Explain a little bit about The First.

One of the things that Beau was aiming for was this idea of human ambition. We even have it in our vernacular – “it’s not rocket science, it’s not like going to the moon…” It’s no accident he used that… not in an allegorical way because it is literally what we’re all questing to do. It’s about how robust human relationships are, the contracts we make, the understandings between families and what we hear and don’t hear. At the critical moment when these people are leaving Earth, those things are under a microscope in a way they might not be in normal life when you’re not shoved up against the wall. It’s as much a map of the human heart as the space between Earth and Mars.


You play Laz Ingram. What’s her story?

She is still undergoing construction ongoing fermentation! People don’t normally have the bandwidth, time or money for that, but Beau is very much into character excavation and talking about all the possible variants, even writing scenes that we perhaps don’t use but somehow deepen our understanding of who these people are. It’s such a luxury to have that kind of process.


Laz is a hugely successful and intelligent individual, but is it fair to say she struggles with the interpersonal side of things?

Yes Laz is someone who is very unapologetic. She’s the opposite of a ‘people pleaser’. I think she’s probably had advice on how to curtail her direct approach but she isn’t interested in behaviour or impressions enough to change it, she is expedient. It’s served her well in terms of what she wants to get done. She’s not impatient; she’s just someone who cannot understand why people don’t see what she sees and why they don’t share her sense of urgency. She’s very, very decisive. I think she’s very secure and pragmatic in her decision making and solution finding, that’s something that comes very easily to her. Life has taught her she should be in the driving seat. I don’t think it’s complicated interpersonal relationship dynamics with humans that she worries about it’s why the MAV is not communicating!


Why do you think the creators decided to make her a Brit? Is that relevant to her character?

I wonder if for Americans British people get away with being more direct because they’re deemed to be courteous and civilised. I also think Beau has cast very different characters throughout because he wanted as many different perspectives as he could get. It was partly just trying to gain another perspective and show ambition, in a very obvious physical way. If you come to the States to study specifically or to get a contract with NASA, that in and of itself takes quite a lot of ambition. I was just delighted I didn’t have to work in an American accent. My dad is from Lancashire, so I took that. Her Northern accent has almost eroded. She’s been in USA for twenty years. I liked doing a hybrid accent as that’s what I hear most around me in real life.


What was it that drew you to the show?

The script has a lot to do with it. It was a joy, for sure. Whether I feel it’s something that hasn’t been fully explored or… sometimes you can read a script that feels a bit hackneyed, the buttons are all in the right places and you think, “Oh here we go, I am being pulled and triggered,” and that’s fine but it gets repetitive. The themes Beau wanted to explore in human nature really appealed to me, irrespective of the ‘space forum’ that was a bonus; it’s not a world that I’ve ever had a chance to fully look into before. I did a film once set in space but it was very much the George Clooney character who was the astronaut. I was a figment of his imagination for most of it. I didn’t do scientific kind of research for that project so this was a first. And also playing an entrepreneur, I haven’t done that before. Plus it was fun to play someone who isn’t in a romantic relationship! I liked playing a zealot. I played a nun once who had a vision and was incredibly articulate about her belief system. It was interesting to play someone who has a lot of that but it’s internalised and it’s not very expressed.


I understand you had a 7 and a half hour meeting with Beau. What did you talk about?

We had to stop because he had a plane to catch, but we could have gone on for a few more days. He’s very inspiring. He’s the real deal.


You’ve alluded to doing research to this; what kind of research did you do?

I did read quite a few books and watch Particle Fever and other documentaries. I met an engineer, an entrepreneur and futurist Sophie Hackford was hugely helpful. Also a few people who were involved in start-ups which are now up and running and successful, but equally I wanted to meet a few people whose ideas were nascent, Sophie was very informative around that what is brewing now that may be manifest in 13 years’ time etc. . Our series is set in the near future, so I wanted to talk to someone who was mid-twenties now, who maybe has a prototype, is shopping it around and is hoping to break through make it big soon…that was what I was interested in, the kernel of Laz’s ambition. One of the things that I would hear in a lot of in these people’s conversation was that they didn’t really mind if something was unpopular because they wouldn’t have gotten to where they were if they’d bothered by that. That usually denotes a certain kind of a character and also a certain kind of social behaviour. Laz is just looking for improvements all the time and that can make you unpopular. She doesn’t mind a bit of unpopularity. It’s a race against time. She’s used to most things being against her, that’s normal.


There’s some pretty technical scientific discussions in the script. When you’re doing dialogue like that do you feel you need to understand the science?

I do like to. The astronaut Chris Hadfield, who advised on the show, was really, really helpful. I’d read his book and done a bit of research on him anyway and watched his show on TV. He was a great resource. And another guy called Nicholas Patrick, a British astronaut who worked for NASA. He was great, just answering my dumb questions. I’d WhatsApp him when he was fixing some part of an engine in a desert somewhere! He was really helpful. You want to break it down in order to be able to explain it to another character. That was very important to all of us.


Going into this, did you have a particular interest in the cosmos? Has this peaked your interest?

If I wasn’t an actor I’d have a pathology of being not a finisher, someone who loves the start of an idea but rarely seeing them through to their end. Because I’m an actor and I’m meant to abandon projects when I’ve done my bit it works quite well. It was very true of this project. I became obsessed, I watched nothing but space films or documentaries or Mars society podcasts And the moment the project was over I’m thrust back into my world, kid’s stories & their needs, homework, ratios, Northanger Abbey, river flow and the PH of urine! Doctor’s appointments, birthday parties & School plays and trumpet lessons. It sounds very fickle but necessarily so. If it comes back round I’ll pick up where I left off. Work feels like a luxury because it’s part time so it never gets repetitive.


How was it working with Sean Penn?

I just loved it. From the beginning I was delighted by his generosity and desire for collaboration. It’s unsurprising because he’s directed to great acclaim; he spots what needs to be done. He also knows when to step back and let the director or writer or showrunner take control. He’s very good at immersing himself in the job he needs to do. He’s great to work with. It’s so natural, effortless for him you don’t see the stitching. It’s very easy for him. Everyone felt the same, it was pretty unanimous


The show is set in the near future and the tech is just a bit more advanced than what we have at the moment. Do you think it was a conscious decision to go down that route, rather than super sci-fi?

For my taste, because the sci-fi world has been well covered and explored, I like this. I like this achievable future that’s in our midst. In the same way we look back 15 years ago, we wouldn’t have been aware of some of the advances, yet we could imagine it. It feels like the tech and the machinery of the piece doesn’t overwhelm the people and the characters.


Bearing in mind it’s not that far into the future, did you get an idea of where we are on the road to this being a scientific reality? Are we going to colonise Mars?

For the rest of the public, if you listen to a compelling speech by someone from the Mars Society, you think “Cool! If they say it’s possible, it probably is. If they’ve invested all these billions and private individuals are willing to put money into this when they could put their money into anything, it must be.” Then when you start to break it down you see the amount of work that needs to take place. The fact that we can’t breathe, there’s no water… it’s so colossal. Then again throughout history we’ve done seemingly impossible things. There’s no reason why we won’t get to it. But by no means do I think it’s the next step. How does international law operate? Who gets to decide? We have an International Space Station for a reason but this is only relatively recently. Our international relations have reflected our space explorations to date.


Do you think Laz would have liked to have made the trip herself?

No, I don’t think so. You don’t just go – the first manned mission to Mars is clearly going to be with astronauts who are highly trained and have taken years to gather the expertise they’ve gathered. That’s not what she’s doing; she’s doing something very different. She’s probably very good at compartmentalising knows what her skill sets are, she’s not a larger than life character, a fantasy of an all-powerful CEO. I like the fact that she’s not particularly articulate or excessively magnetic or any of the things we’d normally associate these characters with.


For a lot of kids, becoming an astronaut is a dream. Is it one you ever had?

No. If anything I would dive to the bottom of the ocean before I would go into space. I’m really fascinated with the underwater world.

SU2C raises biggest total ever - £24.6 million


On Friday 26th October stars from across the worlds of entertainment, music and sport came together for RTS award-winning and BAFTA nominated Stand Up To Cancer, the joint national fundraising campaign from Channel 4 and Cancer Research UK.

Alan Carr, Maya Jama and Adam Hills were at the helm of the spectacular, star-studded live TV fundraiser and announced a grand total of £24.6 million for research into cancer which will accelerate new cancer treatments to UK patients and save more lives.

Money is still coming in and donations can still be made at channel4.com/SU2C. To give £20 or £10 text TWENTY or TEN 70404 or call 0300 123 4444. 100% of your donation goes to Cancer Research UK in support of the Stand Up To Cancer campaign.

The live extravaganza, a culmination of inspirational programming and epic fundraising activities, was heaving at the seams with celebrity sketches, comedy skits, interviews and moving moments, all banging that Stand Up To Cancer drum.

Michael Bublé was James Corden’s passenger for a world exclusive Stand Up To Cancer Carpool Karaoke, Miss Piggy teamed up with Jack Whitehall and Liam Gallagher ranted about cancer meanwhile, Danny & Dani Dyer, Louis Tomlinson & Liam Payne, Dele Alli & Eric Dier and Abbey Clancy & Peter Crouch were the very special stars of our Celebrity Gogglebox special.

Music superstar John Legend led the cast of ‘Big Star, Small Print’ showing us quite how easy it is to donate with a brilliant new version of his smash hit All of Me with Rick Astley and Zara Larsson following suit. Popstrels Little Mix and 90s heroes Backstreet Boys were our superstar superteases leading us through the events of the evening, Sharon Horgan and a host of stars including Emma Willis, Katherine Ryan, Prue Leith and Clare Balding were on hand to highlight the importance of knowing your boobs and recognising signs of cancer and Kate Beckinsale showed us why going for a smear test can save your life.

There was an incredibly moving moment as Emeli Sandé paid tribute to soul legend Aretha Franklin who died from cancer in August with a stunning version of Don’t Play That Song and Gary Lineker and Mark Gatiss talked very movingly about their personal experiences with cancer.

Joining Alan, Maya and Adam for Stand Up To Cancer live in the studio were Liam Gallagher, John Bishop, Nick Grimshaw and Mo Gilligan and there were very special music performances from Tom Odell, Tom Walker and Freya Ridings. Plus Chris O’Dowd and Katherine Ryan were in the studio all night to explain the incredible science funded by Stand Up To Cancer.

An exclusive first look clip revealed the star-studded line up for The Great Celebrity Bake Off for Stand Up To Cancer 2019. Those competing for the much sought-after Star Baker apron are John Lithgow, Jeremy Paxman, Sally Lindsay, Michelle Keegan, Jon Richardson, Russell Brand, Russell Tovey, Greg Wise, Jess Phillips MP, James Acaster, Big Narstie, Nicola Adams, Katarina Johnson-Thompson, Caroline Flack, Hannah Cockroft, Joe Wilkinson, Johnny Vegas, Georgia Toffolo, Krishnan Guru-Murthy, and Rylan Clark-Neal.

Davina McCall tasked Spencer Matthews and Jamie Laing with creating a charity single with very unexpected results and there were very special sketches featuring the likes of Sting, Shaggy, Matthew McConaughey, Jon Hamm, Stephen Merchant, Olly Murs, Mark Wright, Marvin and Rochelle Humes, the stars of Poldark, Jamie Oliver and The Windsors.

Ed Havard, Head of Entertainment at Channel 4 said, "This has been the most successful Stand Up To Cancer campaign to date and we continue to be blown away by the public’s generosity. We’re incredibly grateful to every single person who donated and to the huge array of famous faces who gave up their time to be a part of the campaign. From all of us at 4, a massive thank you”

Clare Moore, Director of Stand Up To Cancer at Cancer Research UK, said, “There’s been amazing progress in research. Thanks to new treatments, screening and prevention, more people are now surviving cancer. But 1 in 2 people will be diagnosed with the disease at some point in their lives, that’s one person every 2 minutes, so we still have a lot more work to do. And funding research is key.

On behalf of Cancer Research UK, I’d like to say a massive thank you to everyone who shared their experience of cancer, fundraised or donated to help us reach this incredible total. Because of you, we can fund more research and save more lives.”

#standuptocancer trended all night on 26th October on Twitter.