A brutal and stylish mafia thriller based on the book by Roberto Saviano (GOMORRAH). Nicola lives with his mother and younger brother in the Sanitae neighborhood of Naples, a place that has been controlled by the Camorra mafia for centuries. Dreaming of a life lush with designer clothing and elite nightclub bottle service, Nicola and his naive group of friends begin selling drugs, an entryway into the violent, power-hungry world of crime.
And to celebrate we have a great competition for you and 3 copies on DVD to give away.
Synopsis INTERNATIONAL STAR Ashley Jensen (Catastrophe, After Life) returns as the titular, beloved amateur detective Agatha Raisin, in the hit series, that sees her solve murder mysteries in a sleepy Cotswolds village, all while sporting a fabulous wardrobe and dangerously sharp wit.
Based on the best-selling novels by M.C. Beaton, the third series of Agatha Raisin airs this June on Sky One and new streaming service AcornTV, and consists of four brand-new, feature-length mysteries. Agatha Raisin Series Three arrives on DVD and digital alongside the Agatha Raisin Complete Series One – Three Box Set on 6 July from Acorn Media International.
Glamorous PR-executive Agatha Raisin turns sleuth in the picturesque Cotswolds after her planned retirement to the country sees her become the prime suspect in a murder investigation. Armed with her trademark tenacity and fashion flair, along with help from her assistant Roy (Mathew Horne – Gavin & Stacey) and her trusty roster of friends: ladies’ man Sir Charles Fraith (Jason Merrells – Waterloo Road), cleaner Gemma (Katy Wix – The Windsors), nosy neighbour Mrs Boggle (Marcia Warren – Don’t Forget the Driver) and paramour James (Jamie Glover – Waterloo Road), Agatha takes up the detective mantle to uncover the perpetrators of a series of heinous and strange murders, lurking in the quaint village of Carsely.
The new series sees Agatha drumming up business for her new detective agency by investigating a legendary haunted house and even enrolling in dance lessons after disaster strikes a young woman’s engagement party. She must put her detective skills to the test when she investigates the death of a woman James is seen arguing with, in an attempt to clear his name, and when a roast pig at the Winter Fayre turns out to be a human corpse, DC Bill Wong (Matt McCooey – Invizimals) must lead the investigation under strict instructions to keep Agatha out of it…luckily for him, Agatha’s not so easy to keep away from the action!
COMPETITION CLOSED Please send you name, address and answer to the question to competition@jonn.co.uk
Terms and conditions 1. Closing date 13-07-20 2. No alternative prize is available 3. When the competition ends as indicated on this page, any and all entries received after this point will not count and emails blacklisted due to not checking this page first. 4. Winners will be chosen randomly and will be informed via email.
And to celebrate we have a great competition for you and 3 copies on DVD to give away.
Synopsis BRITISH ACTING greats Stephen Graham and Daniel Mays join forces as the ultimate dream team, taking the buddy cop genre to another dimension in hilarious new sci-fi mash-up Sky Original comedy series Code 404, which arrives on DVD and digital 6 July 2020 from Acorn Media International.
Detective Inspectors DI John Major (Mays – Temple, Good Omens) and DI Roy Carver (Graham – Line of Duty, The Irishman) are the top crime fighting duo in the Met's Special Investigation Unit, but when an undercover sting goes horribly wrong, Major is gunned down on the job and killed. How will the SIU function without him? Well, it doesn't have to.
As an 'asset' considered too valuable to lose, his body is fast-tracked into an experimental Artificial Intelligence project to bring him back from the dead. The only problem is, Major 2.0 may look like and sound like the original, but something has been lost in translation – quite a lot actually. His arrogant demeanour and gung-ho approach remain, but his crimefighting instincts have completely deserted him.
Somehow, Major's error-strewn hunches and Carver's scrambling to make good allow them to just about scrape by. But while the experiment might be hailed as a scientific success, on the front line Carver is left dealing with an increasingly deluded partner, hellbent on revenge for his own death. Not to mention in the year since his death, Major’s wife (Anna Maxwell-Martin – Motherland, Line of Duty) has moved on, and her new boyfriend could cause Major problems...
Get ready for a rollicking ride, Code 404 will crack you up.
COMPETITION CLOSED Please send you name, address and answer to the question to competition@jonn.co.uk
Terms and conditions 1. Closing date 13-07-20 2. No alternative prize is available 3. When the competition ends as indicated on this page, any and all entries received after this point will not count and emails blacklisted due to not checking this page first. 4. Winners will be chosen randomly and will be informed via email.
CAST: Jennifer Hudson, Forest Whitaker, Marlon Wayans, Audra McDonald, Marc Maron, Tituss Burgess, Saycon Sengbloh, Hailey Kilgore, Tate Donovan, Heather Headley, Skye Dakota Turner, and Mary J. Blige
Following the rise of Aretha Franklin’s career from a child singing in her father’s church’s choir to her international superstardom, RESPECT is the remarkable true story of the music icon’s journey to find her voice.
This September, Oscar® winner Jordan Peele unleashes a fresh take on the blood-chilling urban legend that your friend’s older sibling probably told you about at a sleepover: Candyman. Rising filmmaker Nia DaCosta (Little Woods) directs this contemporary incarnation of the cult classic.
For as long as residents can remember, the housing projects of Chicago’s Cabrini Green neighborhood were terrorized by a word-of-mouth ghost story about a supernatural killer with a hook for a hand, easily summoned by those daring to repeat his name five times into a mirror. In present day, a decade after the last of the Cabrini towers were torn down, visual artist Anthony McCoy (Yahya Abdul-Mateen II; HBO’s Watchmen, Us) and his girlfriend, gallery director Brianna Cartwright (Teyonah Parris; If Beale Street Could Talk, The Photograph), move into a luxury loft condo in Cabrini, now gentrified beyond recognition and inhabited by upwardly mobile millennials.
With Anthony’s painting career on the brink of stalling, a chance encounter with a Cabrini Green old-timer (Colman Domingo; HBO’s Euphoria, Assassination Nation) exposes Anthony to the tragically horrific nature of the true story behind Candyman. Anxious to maintain his status in the Chicago art world, Anthony begins to explore these macabre details in his studio as fresh grist for paintings, unknowingly opening a door to a complex past that unravels his own sanity and unleashes a terrifying wave of violence that puts him on a collision course with destiny.
29th June, London, UK: Blue Finch Film Releasing have announced that Life With Music, starring Sir Patrick Stewart, Katie Holmes and Giancarlo Esposito, will be available on digital download from 27th July.
Henry Field (Patrick Stewart) is an acclaimed concert pianist and one of the great virtuosi of his era. Upon returning to the stage after a prolonged absence, he finds himself suddenly afflicted with a severe case of stage fright. His once effortless play has abruptly turned into a self-conscious struggle of every bar. Old wounds have crept up on the master as he now fights to ward off artistic disaster.
Enter Helen Morrison (Katie Holmes), a music critic with a kindred spirit and a troubled past of her own. Helen believes she might hold the key to Henry’s return to form, but she must first overcome his defences and win his trust. As Henry’s condition starts to improve, the blossoming relationship takes an unexpected turn which could precipitate his downfall. Unless he finally faces his demons and the darker truth lurking beneath the glory of the stage.
Based on Aldous Huxley’s groundbreaking 1932 novel, Brave New World imagines a utopian society that has achieved peace and stability through the prohibition of monogamy, privacy, money, family, and history itself. The series features an all-star cast including Alden Ehrenreich (Solo: A Star Wars Story), Jessica Brown Findlay (Downton Abbey), Harry Lloyd (Game of Thrones), Kylie Bunbury (When They See Us), Nina Sosanya (Killing Eve), Joseph Morgan (The Originals), Sen Mitsuji (Origin), Hannah John-Kamen (Ant-Man and the Wasp) and Demi Moore (Ghost).
As citizens of New London, Bernard Marx (Harry Lloyd) and Lenina Crowne (Jessica Brown Findlay) have only ever known a rigid social order, a perfect pharmaceutical called Soma, and a culture of instant gratification and ubiquitous sex. Curious to explore life beyond the strictures of their society, the two New Worlders embark on a vacation to the Savage Lands, where they become embroiled in a harrowing and violent rebellion. Bernard and Lenina are rescued by John the Savage (Alden Ehrenreich), who escapes with them back to New London. John’s arrival in the New World soon threatens to disrupt its utopian harmony, leaving Bernard and Lenina to grapple with the repercussions. The three become entwined in a fraught relationship that awakens them to the dangers of their own conditioning.
Brave New World is produced by UCP, a division of Universal Studio Group, in association with Amblin Television. David Wiener (Homecoming, The Killing) executive produces the series and serves as showrunner. Darryl Frank (The Americans) and Justin Falvey (The Americans), co-presidents of Amblin Television, as also serve as executive producers. Owen Harris (Black Mirror: San Junipero, Black Mirror: Striking Vipers), who directs the first two episodes, and Grant Morrison (Happy!) also executive produce. Brian Taylor executive produces on the pilot episode.
Today, the first trailer has been released for the bold and gripping Sky original Little Birds, brought to screens by BAFTA-nominated Warp Films (The Virtues) and starring Juno Temple, Yumna Marwan, Hugh Skinner, Nina Sosanya, David Costabile, Raphael Acloque, Rossy de Palma and Amy Landecker. All episodes of the brand new drama series will be available on Sky and NOW TV from 4 August.
Little Birds springboards from the erotic vignettes of Anais Nin into the Tangier International Zone of the 1950s. We arrive there with New York heiress Lucy Savage (Juno Temple) fresh off the transatlantic steamer and ready for love and marriage in exotic climes. But when her husband Hugo (Hugh Skinner) does not greet her in the way she expected, she spins off into the surprising, diverse and degenerate world of Tangier in 1955.
Period drama about an ingénue abroad this is not. Instead, Sky original Little Birds is a contemporary and daring tale of a woman losing and then finding herself down a mesmerising rabbit hole. What Lucy discovers is a world in flux, a country quivering on the cusp of independence, populated by a myriad of characters including a scandalous dominatrix, Cherifa Lamor (Yumna Marwan) who particularly captures Lucy’s imagination.
A bold and subversive re-invention of melodrama for modern times, Little Birds takes the audience and all the characters on a witty, moving and distinctly provocative journey towards freedom and independence.
Cameron Roach, Director of Drama at Sky, said: “Little Birds is an utterly unique and original series. Today’s trailer demonstrates not only an astonishing visual ambition but also announces the series as an audacious signature piece in our portfolio. We’re incredibly proud to bring this experiential contemporary take on 1950s Tangier to our customers and leave them with a feeling of intrigue, and a desire to live their life their way!”
Outline Productions is in production for Channel 4 with a new series following property expert Sarah Beeny and her family as they swap the urban jungle for a new life in the country.
Sarah Beeny’s New Life In The Country (8x60’) follows Sarah, her husband Graham Swift and their four sons as they quit their lives in London to start anew in what they hope will be a rural idyll. The family has bought a semi-derelict former dairy farm in Somerset where, surrounded by 220 acres of farmland, they’re planning on building the house of their dreams; a modern, carbon neutral mini stately home. Sarah and Graham also have ambitious plans to landscape the grounds as well as rewild sections of the farm.
The series accompanies the family as they begin landscaping work on the farm while waiting nervously for the result of a planning application that could scupper their dreams if it’s not granted.
Alongside the building project, Sarah wants to create an idyllic yet purposeful country life for the family – introducing bees and collecting hens, as well as road testing rural businesses from cheesemaking to cider making and chilli growing.
Sarah Beeny says: “I think I’ve always quite enjoyed the buzz from change and mountainous challenges and moving our whole family lock stock and barrel from city to country and re-inventing our whole life has certainly been that. I am so aware of how lucky we are to be able to do something like this, but it’s been a life changing experience. But ultimately I do believe you only live once and if you can make a dream real you should try and journey down that path if you can.”
E4 is to put the dating skills of four celebrities to the test in brand new series Celebs Go Virtual Dating. This new spin off to E4’s flagship reality series Celebs Go Dating, will bring all the dating drama of its sister show, but with the added challenges of video vetting love matches and trying to find that spark on a socially distanced date. How will our frisky four fare when getting up close and personal is off the table? Will they still excel in turning on the charm, or buckle under the remote pressure?
Since the beginning of lockdown in March, the UK’s pool of singles have been spending an average of seven hours a week ‘virtually dating’. With an even greater need for human interaction during this time, will the Celebs Go Dating agents successfully find our famous four somebody they could see themselves isolating with?
Brought to you by Extra chewing gum, the series will see expert dating agents, Paul C Brunson and Anna Williamson return to the celebrity dating agency, ably assisted by junior Client Coordinator and celeb confidante, Tom Read Wilson. The trio will guide the celebs through the unchartered and potentially choppy waters of online love and distanced dating. Rob Beckett will also be back delivering his trademark wit as voiceover.
The celebrities will be set up on a series of dates, either remotely from home, or outdoors adhering to social distancing guidelines.
Paul C Brunson said: “I can’t wait to throw the agency doors “virtually” wide open. This series will be an exciting experiment to see how our celebs deal with dating as well as the added restrictions they wouldn’t normally have to navigate.”
Enter a world full of fantasy, friendship and adventure in THE FAIRY PRINCESS & THE UNICORN! The fairy world of Bayala is a magical country where fairies have been living in harmony with nature for centuries. But one day, peace is put at risk when the evil shadow fairy queen Ophira steals the precious dragon’s eggs – where kingdom’s magic lies. All of Bayala is in danger, but hope arises when a dragon egg is found. The brave Princess Surah and her companions have to go on an adventurous journey to bring the dragons back and save their kingdom.
Greenland is an upcoming American disaster thriller film, directed by Ric Roman Waugh from a screenplay by Chris Sparling. It stars Gerard Butler, Morena Baccarin, Scott Glenn, Andrew Bachelor and David Denman.
It is scheduled to be released on August 14, 2020, by STX Entertainment.
Scientists discover that a comet will hit Earth in a few days, and will likely cause the extinction of humanity; the only hope of survival is to take shelter in a group of bunkers in Greenland. The film follows the protagonists' attempt to get to that shelter.
Cast: Gerard Butler as John Garrity Morena Baccarin as Allison Garrity Scott Glenn as Clayton Andrew Bachelor as Conrad David Denman as Ralph
This June, Andre Gower (“The Monster Squad”) faces Baby Frankenstein!
An awkward young man discovers a fully functional robot monster hidden in the attic of a home in his neighborhood and must join forces with a group of locals to protect this AI-driven being from both bounty hunters and the evil scientist who...
Released: June 30, 2020 on VOD and DVD on 6/30 from Wild Eye Releasing.
Get on the iTunes Store Starring Andre Gower Ian Barling Patrick McCartney Rance Nix Cora Savage Eileen Rosen Mike Rutkoski Yannis Stergiopoulos
Spy Intervention, will be available on Digital Download from 27th July. The film stars Drew Van Acker (Titans & Pretty Little Liars), Poppy Delevingne (Riviera), Brittany Furlan (We Are Your Friends) and Blake Anderson (Workaholics). Spy Intervention is directed by Drew Mylrea who makes his feature length film debut.
When a top-secret super spy suddenly meets the woman of his dreams, he abandons his adventurous existence and settles for the security of suburbia, revelling in the quaint existence he's never known. One year later, he is completely bored, though he refuses to admit it. His old spy friends enact a "spy intervention," convincing him that if he just returns to his old life, the adventure will help save his listless marriage... and maybe even save the world in the process.
Wild Eye Releasing acquires IT’S JUST A GAME for October, 2020 release
This Halloween, a teenage girl is kidnapped by a bizarre theatre cult intent on summoning an ancient witch in the bloodcurdling IT’S JUST A GAME.
From writer-director Daniel Emery Taylor, and starring Hannah Cohen-Lawlor, Sarah Kopkin, Leah Hudspeth, Rachel Marshall, Alicia Clark, and G Larry Butler, is an Alabama-lensed indie that has been lauded for it’s impressive visuals and suspenseful storytelling.
Brianna (Hannah Cohen-Lawlor) is a shy, bashful teen who is constantly getting humiliated by the other girls in her social circle. Her circumstances change when she is kidnapped by a bizarre theatre cult intent on summoning an ancient witch.
From Executive Producer Selena Gomez and Writer/Director Natalie Krinsky, watch the new trailer for the romantic comedy of the summer, The Broken Hearts Gallery 💔 only At Cinemas July 17.
What if you saved a souvenir from every relationship you’ve ever been in? THE BROKEN HEARTS GALLERY follows the always unique Lucy (Geraldine Viswanathan), a 20-something art gallery assistant living in New York City, who also happens to be an emotional hoarder. After she gets dumped by her latest boyfriend, Lucy is inspired to create The Broken Heart Gallery, a pop-up space for the items love has left behind. Word of the gallery spreads, encouraging a movement and a fresh start for all the romantics out there, including Lucy herself.
HOMEMADE is a collection of short films created by celebrated filmmakers around the world. Confined at home as a consequence of the COVID-19 outbreak, filmmakers created personal, moving stories that capture our shared experience of life in quarantine.
This is a celebration of the craftsmanship of filmmaking and the enduring power of creativity in the face of a global pandemic.
Mikael Kreuzriegler’s black comedy DEANY BEAN IS DEAD premieres on digital July 10, 2020 from Global Digital Releasing.
A down-on-her-luck woman (Allison Marie Volk, “The Lone Ranger”, “Anya”) tries to win back her ex-boyfriend at his engagement party without revealing that her recently strangled boss is in the trunk of her car.
Christopher Glenn Cannon, Sarah Sidak, Wendy Wilkins and Paulina Bugembe star in a "charmingly kooky" (ThatMomentIn.Com) film, coming this summer.
What drew you to The Luminaries? I am a big fan of the book and thought it was such a rich, beautiful world and Eleanor has written such an incredible, textured story. So, when I found out that they were planning to make a TV series I was determined to somehow get in the mix. I had been in London doing post-production on a project and was reading The Luminaries for the second time on the tube on my way into the edit room. I read it again and kept on thinking about how visual the world was and how wonderful it would be to stage it. I was lucky enough to meet with Working Title whilst in London and they allowed me to pitch on it, and I just threw everything at it and fortunately it worked!
Tell us about that pitch and your initial ambitions for the drama? It's such a rich world, the world of The Luminaries, and in thinking about bringing it to life I really wanted to capture the cinematic quality that's on the page. The characters are so rich, we have a world that's in this intrepid part of history where people would travel from the four corners of the globe and come to New Zealand to find their fortune and to start a whole new life. So I was thinking about what was the language of the show - what was it to look like? What was its colour palette? What was the visual language that would speak to the theology of the book in a way that could be faithful to the book, but also take it somewhere where it would be digestible within six episodes? What could we ground in the scripts and in the journeys of the characters so that we could go on this rollercoaster ride?
I was intrigued by Anna Wetherell's character and I was really excited that the first script of The Luminaries was very much about Anna's journey and vested much more in the love story between her and Emery Staines, as well as the female friendship between Anna and Lydia. I thought that was really interesting. In the book, Anna is much more of a cipher for their experiences. In our retelling, Anna is more the subject than the object; it's her experiences and we tell the story through her eyes. These are all the complexities that the book also has but we're retelling it in a different way. It was about simplifying and thinking about how to make that world feel cinematic and truthful to the book and also bringing a visual language that would draw an audience in, in an entertaining way.
How would you describe the world of The Luminaries to people who are expecting a version of the book? It is a re-telling and a different version of The Luminaries. It's almost like we've reframed the story from a different point of view by vesting it in Anna's character. There is so much richness in the book to draw from, and so many intricate details. The audience who are already fans of the novel will see that it's Eleanor's book but retold. The complexities and the richness of the book are intact.
What I really love about Eleanor's rewriting of the story is that it’s a very bold retelling and it could have only been Eleanor to write this screenplay. It might have felt a little irreverent for somebody else to rewrite it. In some ways, the story is constructed like a piece of clockwork, its architecture is so intrinsic to the pleasure of reading that book. Eleanor was cognisant of that, and we spent a long time figuring out how to translate that world; the things that we wanted to take over as well as the things we felt worked better in the book and were maybe too conceptual to put into the television series.
Another thing that I found really delightful about Eleanor's retelling is that we're set in a period, in New Zealand in the gold rush of the 1800s, but there is a sense of play and a tongue-in-cheek, roguish quality in Eleanor’s writing where she delightfully brings these rich characters to life.
With the 1800s setting also comes this Victorian 'sensation' idea, the Victorian novel where you would commonly see the innocent ingénue who moves through the world and is corrupted by the forces of that world. In some ways Eleanor has lampooned the Victorian sensation idea, which makes this feel contemporary. Anna Weatherell is not an ingénue and she's not an innocent: she is a woman with a past. We don't find out exactly what it is that she is running from, but we understand that she is playing by her own rules, that she's resilient and that she’ll last the distance.
Would you describe this as a period drama? Yes, The Luminaries is set in the 1800s during the New Zealand gold rush, which at that time was the frontier. It was a pioneering settlement which people were rushing to from all around the world, to try to make their fortune. We have such a vast collection of interesting people from all across the globe, and these kinds of disparate ideas and different cultural relationships. Within that world we're telling a story that's an intriguing murder mystery as well as a story of female friendship and also of star-crossed lovers; we have a rich world in which all these large, textured, rich themes are being explored.
We are aware that it's a period setting but the narrative drive has an energy to it and there's a muscularity to the way we're telling the story. We didn't want it to feel slow or languid, or to feel like we're in a dusty, musty period piece. The characters have a sense of humour, they have flaws and they make mistakes. It's sophisticated in the sense that we're not dumbing it down for an audience but we're asking them to get involved, to get their hands dirty and to ask them to think while they watch.
What did Eve Hewson bring to the role of Anna Wetherell? Eve Hewson is an incredible actor and has so much depth to her and such soulful eyes. Her stillness is as interesting as when she starts to inhabit the character with words. She's an actor that you believe would survive the things that her character had to go through and has brought so much to this piece.
Anna Weatherell is not an innocent in a classic Victorian sensation idea. She's not corrupted by the world around her, she comes with her own past, and we wanted a richer idea of what a woman could be within the story and within this historical context. Anna has sent herself to the gold rush, she has her own secrets and her own sense of dynamism and power within the story. She's playing her own game.
Casting an actor that has an in-built sense of strength and resilience, who isn't just flimsy or tossed about in that world, was really important in casting Anna Weatherell, and Eve is incredible. She's just absolutely amazing. It’s a big ask for a young actor to shoulder the scope of a whole series, and it was a difficult and a long shoot at times and Eve was incredible, so dedicated to making sure that she gave her all day after day.
How do the planetary elements of the story how themselves through the characters? Anna Weatherell’s planetary association is the Moon and so she's absorbed light, reflected light. In many ways, in the story we see her retreat to her shadow-self and a lot of the story reflects the idea of aspects of the Moon. These are ideas that float in the story, they're not in the forefront. Emery Staines is the Sun and he's ever the optimist. He always finds the glass half full and has a beautiful benefit of the doubt about the world around him.
What did Himesh Patel bring to the role of Emery Staines? Casting Emery Staines was a real challenge. Himesh has extraordinary comic timing, he's a great dramatic actor and but he brings a beautiful, soulful quality. He's also really funny, incredibly smart and brings an interesting viewpoint about masculinity to the story. Emery is not your typical alpha male, and Himesh brings a lightness of touch, positivity and optimism to the role.
Tell us about the character of Lydia Wells and that Eva Green brought to the role? Eva Green plays Lydia Wells, and she's so delightful. Lydia is a villain in a classic sense, but she has this charm and ability to really wrap everyone around her finger. She's such an unusual woman and we were excited about the idea of showing women in different lights, women who are flawed, women who make mistakes and women who will do anything to get what they want. It was intriguing to see the way that Eva filled those boots. She is so wonderful, such an incredible actor and such a consummate professional. Eva is an intricate planner and I just loved working with her. She has such a presence on screen, she's a real dynamite and I just adore her both as a comrade and also as a friend.
It must have been a huge challenge to create this world - where do you start? It was a huge team effort by all the creative heads of department. I was very fortunate to be working with Felicity Abbot, who's an incredible production designer; our cinematographer, Denson Baker, who is my long-term collaborator and is an incredible artist; and Dan Birt, who's the set decorator.
It's a period film so we had to make a lot of things from scratch. We didn't have existing locations that we could just walk into. We probably had about 10,000 historical references from museums, we visited Hokitika a number of times, we'd collect and reference pictures from the era as well as reference pictures from other gold rushes from a similar point in time to investigate the details of things like equipment, the way people looked and just the whole aspect of what it was like to be digging gold. It's such a filthy, dirty, visceral world, you've literally got your hands in the dirt and you see pictures of people covered from head to toe, caked in mud. We really wanted this world to feel filthy, textured, grounded in the earth, and we wanted to feel like people were inhabiting that world as opposed to just being ornamental or just placed in sets.
I was working with a fantastic team. The colour palette is more gothic and grounded in the shadows. We wanted a sense of mystery and intrigue and a kind of burnished golden world inside the interiors. We were very influenced by gold and not only did we have to research how gold could be filmed, and how it would appear on screen, but also just the way that we would light largely through flame, candlelight and natural light. We were trying to inhabit a specific kind of world and the resources that they would have at that time, so we were embraced that as a visual aesthetic. We wanted there to be a visceral quality to the show, rather than it to feel typically period or dusty, and so there needed to be an energy and a dynamism to the way the camera captured the world.
What did Edward K. Gibbon and Jane O’Kane bring to the look of the series? Costume and hair & make-up designers are incredibly crucial appointments, particularly where there are so many characters who need to look distinct from one another. We were very lucky to have Edward K. Gibbon join our team as the costume designer. And also very lucky to have Jane O'Kane join us as well who is an incredible make-up and hair designer. The things those two did, in such an effortless way, and the way they led their teams just was remarkable.
Edward didn't have a costume store that he could grab period clothing from. We ended up having a small consignment of period costumes sent over from the UK, but other than that, the Kiwi team made everything from scratch. The cutters, pattern makers, the recycling and sourcing of fabrics, the workmanship and craftsmanship is world-class. There is a lot of intricate detail and thought that has gone into the look of the sets and these characters. There are little hidden treasures that if the audience knows the book, they will understand.
Can you tell us about the incredible work that went into creating these sets? Building sets from scratch is quite amazing. We shot at a location called Jonkers Farm, which is a big hunk of beautiful farm just outside of Auckland. We had ambitions for it to be a 360-degree set where you could walk through and film from any angle, and we almost achieved that, it was probably about 280 degrees in the end.
We built - from scratch - the Hokitika town, which included the main township and all the elements that are within that: the jail, the cemetery, the opera tent, as well as 10 or 12 workable buildings plus additional components of buildings. I can’t even put into words the amount of work they did. If you don't have a believable world, and the effort's not put into creating that world, no matter how hard you try it just won’t feel real. It needed to be a living, breathing, visceral experience for the actors and it was.
We were trudging around in the mud and slipping around the rain. We were constantly wetting-down and it was certainly hard going for everyone, but it really translates to the screen. I'm sure I haven't made many friends in that process! But it was a labour of love to get that texture and a commitment to the creative ambition of the show.
Within the interior of The House Of Many Wishes, which is Lydia Wells' world, there are so many whimsy and delightful ideas in there about Kiwiana and the intersection of the world of that time. There are things that are now extinct, images and pieces of New Zealand’s history. Each set is a little jigsaw puzzle of delightful storytelling that speaks to both the world of the story as well as the world of New Zealand at that time.
The one thing that as a visual idea in the show that comes from the book is the idea of the planets, there's this idea of orbiting and shadowing and circles, which is quite a feminine symbol. The book covers the phases of the moon and each chapter gets shorter and shorter as you read the book. We weren't able to mimic that structural approach in the series, but as a symbol and as a motif visually we used a lot of circles in our design. We have the astrological and the lunar ideas in the show, and also the stars and the constellations, but we have translated them into architectural ideas and sets.
The House Of Many Wishes is one of the biggest sets. We did a lot of research into how Dunedin looked, and we were struck by this strange, gothic, Victoriana, mish-mash building that was situated near this rocky outcrop in Dunedin that we found in old maps and discovered it was called The Hotel Oriental. It had this really salacious past and had burned down three times. There'd been a sole female lease holder and it was a house of ill repute. We read about some terrible things had happened within those walls. It became our reference point for The House Of Many Wishes. Although it's Victoriana, there is collectivism to the world which comes from the cultural diversity of the people living there at that time. Lydia’s world is one of dream weaving and magic and sleight of hand, and there is a gothic glint in the eye. We used a lot of mist and atmosphere to make the series feel painterly, rather than crisp or brittle.
Had you spent much time in New Zealand before coming to this project? It’s been a great honour to be in another culture, in another country. Although, as an Australian, we are very closely affiliated, there are lots of things politically and artistically that resonate for me in New Zealand’s culture. My husband, Denson Baker, who's also the cinematographer on The Luminaries, is a Kiwi and he's part Māori. My son was able to go to school in New Zealand whilst we were filming, and go to Kapa Haka, and connect to his Māori roots which has been one of the great privileges of this project.
One of the things that The Luminaries is exploring is the cultural tensions and relationships of that era, which was a huge thing at that time. The Chinese community was completely vilified and shut out, and it was hard for anyone that wasn't white to survive in that world. Territories and treaties were being written at that time, wars were being fought and there's a cultural discussion that's happening which we don't necessarily put a pin in, but it's felt within the story.
We have the character of Tauwhare played by Richard Te Are. He’s a wonderful Māori actor and his character really is a moral compass for the story in a lot of ways. He really brought mana and his own artistic sensibility to that character. He went to Hokitika and he met with Ngāti Waewae and all the community there who were so kind to us and really honoured our process.
When we started filming, we had representatives of the Hokitika Māori community who came to visit the set and gifted us a really beautiful piece of greenstone. They blessed our production and were there the whole time to consult with us on all the Māori content and of the show and also supply us all the pounamu (greenstone) for the show. So, there was an integrity to it and there was a discussion and a discourse about the way the work was being done between the team. So, even though I am a foreigner, and I'm not from the culture, I felt very connected to it.
Experience the original Broadway Production of Hamilton, streaming exclusively on Disney+ on July 3.
“Hamilton” is the story of America then, told by America now. Featuring a score that blends hip-hop, jazz, R&B and Broadway, “Hamilton” has taken the story of American founding father Alexander Hamilton and created a revolutionary moment in theatre—a musical that has had a profound impact on culture, politics, and education. Filmed at The Richard Rodgers Theatre on Broadway in June of 2016, the film transports its audience into the world of the Broadway show in a uniquely intimate way.
The King’s Man is an upcoming period spy film directed by Matthew Vaughn, who wrote the screenplay with Karl Gajdusek.
It is a prequel to the Kingsman film series, which is loosely based on the comic book series Kingsman, created by Dave Gibbons and Mark Millar and published by Marvel's Icon Comics imprint.
The film features an ensemble cast that includes Ralph Fiennes, Gemma Arterton, Rhys Ifans, Matthew Goode, Tom Hollander, Harris Dickinson, Daniel Brühl, Djimon Hounsou, and Charles Dance.
Synopsis: As a collection of history’s worst tyrants and criminal masterminds gather to plot a war to wipe out millions, one man must race against time to stop them. Discover the origins of the very first independent intelligence agency in The King’s Man, directed by Matthew Vaughn, coming to cinemas September 2020.
Facing a murder charge, a genius mechanic with a criminal past must track down a missing car containing the proof of his innocence: a single bullet.
Starring: Alban Lenoir as Lino Nicolas Duvauchelle as Areski Ramzy Bedia as Charas Stéfi Celma as Julia Rod Paradot as Quentin Sébastien Lalanne as Marco Arthur Aspaturian as Kad Patrick Médioni as Jacques Alexandre Philip as Jeff Stephen Scardicchio as Policier BAC Damien Leconte as Policier commissariat Thibaut Evrard as Lieutenant Bruno Anne Serra as Femme Areski Lino Lenoir as Enfant Areski Pascale Arbillot as Moss
Michael W.Bachochin’s highly-anticipated Psychodrama/science-fiction feature Parallax releases in theaters this summer.
A young artist wakes up in a life that she doesn't recognize, spending her time asleep haunted by nightmares of drowning in a black abysmal void. As she begins to uncover the truths of the life that she's found herself in, the gravity of her failing reality weighs heavily on her psychological identity and the reliability of her sanity is called into question.
Naomi Prentice, Nelson Ritthaler, Hattie Smith and Ted Gianopulos star.
Parallax, written and directed by Michael W.Bachochin, is produced by Bachochin, Brooke Lorraine and Yuself Baig.
Tuppence Middleton (“The Current War, Fisherman's Friends”) stars in the lead role, supported by Hannah Gross (Netflix series “Mindhunter”) and Canadian horror legend David Cronenberg.
Directed by Albert Shin, who co-wrote the feature with James Schultz, the film premiered at TIFF last year.
Following the death of her mother, Abby (Tuppence Middleton), a troubled young woman, returns to her hometown of Niagara Falls and the dilapidated motel her family used to run. She soon finds herself drawn back into a mystery that has haunted her since childhood. As Abby sets out to discover the truth, she must confront a local eccentric (David Cronenberg), convince her sister (Hannah Gross) and face her own demons.
Commenting on the release, Peter Thompson, Sales and Acquisitions Director at Lightbulb Film Distribution, said: “We are excited to bring this delicious neo-noir thriller to UK audiences. It’s a contemporary whodunit with three exceptional central performances and the eerie Niagara Falls providing the perfect setting.”
Disappearance At Clifton Hill will be available on Digital Download from July 20 and on DVD from August 3.
Check out an exclusive new trailer for Doom Patrol: Season 2, which gives fans their first look at upcoming new villains like The Candlemaker and Red Jack. This trailer also teases the debut of the only team even stranger than the Doom Patrol themselves - the SeX-Men. That's right.
Doom Patrol: Season 2 will debut simultaneously on DC Universe and HBO Max on Friday, June 26.
An August 2016 article in the Indianapolis Star about USA Gymnastics protecting coaches accused of abuse leads to the explosive revelation that the USAG women’s team doctor, Larry Nassar, had been abusing athletes for over two decades. This film follows the IndyStar reporters as they reveal the extensive cover-up that allowed abuse to thrive within elite-level gymnastics for more than two decades, the attorney who is fighting the institutions that failed these athletes, and most importantly, the brave whistle-blowers who refuse to be silenced.
Ben Whishaw (A Very English Scandal, Skyfall, London Spy) will star in the new series This Is Going To Hurt, produced by global content company Sister (Giri/Haji, Chernobyl, Gangs Of London) in association with Terrible Productions.
Based on Adam Kay’s award-winning international multi-million selling memoir of the same name, Whishaw will play the screen version of Adam in the series which has been adapted by creator Kay himself. AMC is on board as co-producer and director Lucy Forbes (In My Skin, The End Of The Fucking World - series two) is confirmed as the series lead director. The international distribution will be handled by BBC Studios.
Kay’s diaries, scribbled in secret after endless days, sleepless nights and missed weekends, tell the unvarnished truth of life as a doctor working in obstetrics and gynaecology. Whishaw is set to play the fictional version of Adam, who we find wending his way through the ranks of hospital hierarchy - junior enough to suffer the crippling hours, but senior enough to face a constant barrage of terrifying responsibilities. The series sees Adam clinging to his personal life as he is increasingly overwhelmed by stresses at work: the 97-hour weeks, the life and death decisions, and all the while knowing the hospital parking meter is earning more than him.
This Is Going To Hurt is a show about trying to be a good doctor in a system which can sometimes feel like it’s working against you. Like the book, the series will depict life on and off the hospital ward with frank and often shocking honesty. The series rejoices in the highs, while pulling no punches in its depiction of the gut-wrenching lows, and celebrates the everyday superstars of the health service who keep our hospitals running.
Blisteringly funny, politically enraging and frequently heart-breaking, Kay’s adaptation continues to be a stark reminder of the vital role played by the health service and is a clarion call to continue to support our medics, at a time when that message is more urgent than ever.
Ben Whishaw says: “I am proud to join this exciting adaptation of Adam Kay’s terrific book This Is Going To Hurt based on his experiences working in the NHS. It’s an honest, hilarious, heart-breaking look at the great institution and the army of unsung heroes who work there under the most stressful conditions. The COVID-19 crisis has now shed even more light on their great work and underlines the necessity to support the NHS and its workers. I look forward to telling this story with director Lucy Forbes and the great team at Sister to bring Adam’s words to life and I am really grateful to be a part of it.”
Lucy Forbes adds: "This hilarious and heart-breaking view of the NHS, that we have so long taken for granted, feels more relevant than ever - and what better person to play Adam than the wonderful Whishaw! So looking forward to working with Ben, and the Sister team to bring Adam Kay’s painfully funny book to life.”
Anthony Walker was a Liverpool teenager with a devout Christian faith and a love of basketball. Known to his family and friends for his humour, intelligence and compassion, Anthony was halfway through college with dreams of visiting America and studying Law at university.
On 29 July 2005 in Huyton, Merseyside, Anthony was murdered in a racist attack.
He was 18 years old.
Anthony (1x90’) is the story of the life he could have lived.
Inspired by conversations with Gee Walker, Anthony's mother, about the boy Anthony was and the man he was to become, Anthony is written by multi-Bafta winner Jimmy McGovern (Broken, The Street, Cracker) and made by LA Productions for BBC One.
Anthony Walker will be played by Toheeb Jimoh (The Power, Ted Lasso) and Rakie Ayola (Shetland, Noughts + Crosses) will portray Gee Walker.
They will appear alongside Julia Brown (World On Fire), Bobby Schofield (Knightfall), Stephanie Hyam (Bodyguard), Shaniqua Okwok (Small Axe), Robinah Kironde (The Widow), Dominique Moore (A Confession), Phina Oruche (Taken Down), Siobhan McSweeney (Derry Girls), Ade Ajibade (Intergalactic), Wesley Bozonga (Sliced), Leo Wringer (Black Earth Rising), Lorna Gayle (Carmilla), Jay Lycurgo (I May Destroy You), Josh Bolt (Last Tango In Halifax) and James Ledsham (Levelling The Score) who all play key roles in the film.
Gee Walker, Anthony Walker’s mother, says: “I went to Jimmy because I couldn't think of anyone more suited who could depict, highlight and draw attention to the hard messages of a life not lived - Anthony's unfilled dreams, his potentials and the many lives he would have impacted on - which now will never be realised.”
Jimmy McGovern adds: “I'd known Gee Walker for many years and every time I had needed to write about loss or grief I had gone to her and she had always been generous with her time and her profound wisdom. But one day SHE came to ME and asked me to write about her beloved Anthony. I said, "Gee, if you're asking such a thing, I feel I have a God-given duty to do it." And so I did it.”
Toheeb Jimoh, who plays Anthony Walker, says: “Anthony's story is a painfully tragic one but it's also full of hope, joy, promise and love. Jimmy's script captures that perfectly. I hope this film will serve as a tribute to Anthony and I feel truly honoured to have been asked to play him.”
Channel 4 has recommissioned award-winning The Circle for a third series alongside an additional celebrity series, The Celebrity Circle, as part of the Stand Up To Cancer campaign.
The previous series of the reality format where ‘anyone can be anyone’, created by Studio Lambert and co-produced by Studio Lambert North and Motion Content Group, was a huge hit for young audiences. In 2019 it was Channel 4’s highest rating 10pm series for 16-34-year-old viewers since 2010 and was one of All 4’s top 10 most viewed titles of the year.
Host Emma Willis will return, and comedian Sophie Willan will resume her role as the inimitable voiceover in the brand-new third series, which will kick off with a special week-long celebrity edition in 2021.
Returning to Salford, Greater Manchester, the large-scale production is planned to begin later in 2020 and the search for new players is on. Filming will proceed in line with Covid-19 filming guidelines prompting a change to the format that will see the UK series closely reflect the international versions of the show which are pre-recorded. Accordingly, there will be no studio audience or live shows.
The most talked about apartment block in Britain will welcome a new set of residents who will live in separate apartments and befriend each other using only a social media platform called The Circle. In the popularity game where anyone can be anyone players rate each other based on whom they like – and dislike. Competing against each other, the most popular players gain power and unpopular players get blocked. Once blocked, and before leaving the show, the eliminated players will get to meet other players in person for the first time.
In addition, a set of famous faces will move in for a separate week-long celebrity edition where they will be invited to play the game in aid of Stand Up To Cancer, a joint national fundraising campaign from Cancer Research UK and Channel 4 that brings the UK together to speed up progress in life-saving research.
Presenter Emma Willis said: "The Circle is just brilliant, unmissable television. I loved every minute of being a part of it and I'm delighted to be returning to it for another series where I'll be right at the centre of all the mischief and drama! To add to that, we’re also doing a celeb version - I can't wait to see who’ll be in the line-up and whether they’ll play as themselves or as another celebrity, it’s going to be incredible.”
Praised for its diverse and inclusive cast in previous series, applications are open for those across the UK aged 18+ to take part in the new series. Potential contestants can apply to take part at www.thecirclecasting.com
The 4th series of Australia’s most controversial ground breaking social experiment is coming to E4 later this month and it’s the most explosive yet. In a five week event, E4 is bringing you Married at First Sight Australia as you’ve never seen it before.
In this reformatted 4th series, the ante is upped as the experiment goes super-sized, extending to include 10 couples, including the marriage of the first ever middle-aged couple. And for the first time, this series will see all the couples living under the same roof as relationships are tested like never before.
20 singles will marry a stranger who they will meet for the first time at the wedding ceremony. The couples will be brought together by expert matchmakers - relationship psychologist John Aiken, neuropsychotherapist Trisha Stratford, and dating expert and psychologist Mel Schilling.
This unique experiment is designed to determine if science can predict true love in couples who will get married at first sight. The experts will undertake the mammoth task of pairing 20 brave singles to create their perfect match as 10 brides and 10 grooms undergo the most intense experiment yet attempted. Their relationships will be put to the test as we see the couples marry, go on honeymoon, live together, meet the in-laws and decide if they will stay married or go their separate ways.
The experts will match all the couples on the basis of extensive psychological and neurological testing and profiling.
10 brides, 10 grooms, 10 weddings. Who will find true love? Married at First Sight Australia will air for 25 episodes on E4 in June.
A Democratic political strategist works the campaign for a retired veteran's bid for mayor of a small right-wing Wisconsin town. After the Democratic National Committee's top strategist Gary (Steve Carell) sees a video of a retired Marine colonel (Chris Cooper) standing up for the rights of his town's undocumented workers, Gary believes he has found the key to winning back the Heartland. However, the Republican National Committee counters him by sending in his brilliant nemesis Faith (Rose Byrne) and a local race quickly becomes a fight for the soul of America.
It is scheduled to be released through video on demand on June 26, 2020. It was scheduled to be released theatrically on May 29, 2020. However, it was pulled from the schedule due to the COVID-19 pandemic.
Cast: Steve Carell as Gary Zimmer Rose Byrne as Faith Brewster Chris Cooper as Marine Colonel Jack Hastings Mackenzie Davis as Diana Hastings Topher Grace as Kurt Farlander Natasha Lyonne as Janet De Tessant Will Sasso as Nick Farlander
“I hope people walk away from this film with more empathy and understanding of what it means to be trans”, says Mary Hewey, co-director of Jack & Yaya, the highly-anticipated doc available On Demand June 19th from Freedom Cinema LLC.
Jack & Yaya captures a year in the life of childhood best friends who go from swapping gendered Christmas gifts as kids to transitioning in their twenties. The titular next-door neighbors grew up together in a rural area but were able to support each other when they learned they were both transgender.
How long of a journey has this been for you, Mary – from script to screen? It’s a little hard to know where to start because Jack and I have been good friends since 2010, but it wasn’t until a number of years later that the idea of a documentary came around. The first little seed of an idea for the film started in December 2016, right after Christmas. I think I had just been talking to Jack, who was home in New Jersey with Yaya and his family for the holidays, and I was really struck by their friendship and so I just wrote down “Jack and Yaya documentary?” I revisited the idea with Jen, my partner, who had been working in film for since college, and after many long conversations, we decided to give the project a shot. Our original idea had been to do a short film, but we quickly found out that there was just no way we could cram thirty years of friendship into less than an hour.
We began filming, mainly in New Jersey, the summer of 2017 and wrapped up in the late spring of 2018. It was just the two of us, me and Jen, no other crew, and one camera. While this presented a number of logistical challenges, I think it ultimately helped us create a really intimate portrait of Jack, Yaya, and their families.
Throughout 2018, Jen and I were editing away and that’s when Jorgy Cruz, our Executive Producer and Post-Production Supervisor, joined our team and helped us really fine-tune the story. We got a beautiful score done by our friend and musician Matthew Connor, and then we started submitting to film festivals. Our World Premiere was at qFlix Philadelphia, where we won both an Audience Award and the Thom Cardwell Grand Jury Award.
What made these two people such ideal documentary subjects? I feel like the minute you meet them, you get it. There is just this charisma that exudes from both of them and draws people in. Both Jack and Yaya probably have a dozen people who consider them their very best friend and that really speaks to how deeply people connect with them. They are so generous with their love and will do anything for the people they care for.
Also, Jack and Yaya are surrounded by remarkable people. When you meet their friends and family who raised them, you understand where they got their charisma and kindness. Jack’s dad, Tony, is truly a star. He’s a blue collar Jersey dad who loves Pearl Jam and Busch Light, and who is also an amazing LGBTQ ally. We wish we could do a whole other film about him.
Were they, at any time, unsure about the film? Maybe a little reluctant?
I think both Jack and Yaya had times when this film really challenged them. Though a lot of their story is filled with joy and acceptance, Jack and Yaya have had some really tough experiences as trans people and sometimes it was hard to revisit those painful memories. We are so grateful to them for being willing to share their story with the world. We truly cannot thank them enough for trusting us and coming with us on this journey.
Can you relate to Jack and Yaya?
As a queer woman, I relate to the struggles and the joys of living authentically in a world that can be hostile, or even outright violent, toward members of the LGBTQ+ community. I also relate to the way both Jack and Yaya take on the world. They take on life’s challenges with a lot of humor and love, and I think that is how I like to live my life as well.
What’s the message you want to be taken from this beautiful film? I hope people walk away from this film with more empathy and understanding of what it means to be trans. There is an epidemic of violence against trans people, particularly Black trans women, in this country. Just this past week we lost Dominique “Rem’mie” Fells, a Black trans woman who was murdered in Philadelphia, PA, and Riah Milton, a Black trans woman from Ohio. We need to uplift the voices and stories of trans and non-binary folks because I believe personal stories, such as Jack and Yaya’s, can be hugely impactful in changing hearts and minds, and we certainly need that right now.
At the same time, I also hope folks can feel the joy in this film. I think many of the stories we see on film about trans folks often end in tragedy and so we wanted to also uplift the joy of trans kinship. I really love Laverne Cox’s phrase/hashtag #TransIsBeautiful - it’s a celebration of the trans community and that’s what we hope we have accomplished in Jack & Yaya.
Horror Channel brings plenty of suspense and splatter to July’s line-up with the UK TV premiere of THE REZORT, where ‘The Walking Dead’ meets ‘Jurassic World’. Starring Dougray Scott and Jessica De Gouw, this fast-paced, gory horror is directed by Outpost franchise helmer Steve Barker.
There are also channel premieres for Damien Macé & Alexis Wajsbrot’s cleverly sinister DON’T HANG UP, where an invisible predator turns the tables on two online prankers, and Paul W.S Anderson’s cult gaming adaptation RESIDENT EVIL, with Milla Jovovich and Michelle Rodriguez in blistering form.
Plus, there are welcome returns for NO ONE LIVES, director Ryuhei Kitamura’s taut, tension-laden cat-and-mouse thriller, starring Luke Evans, alongside Sam Raimi’s unforgettable genre classic THE EVIL DEAD and fans of Arnold Schwarzenegger will welcome the clone-seeker’s top-notch performance in THE 6TH DAY.
Full film details in transmission order:
Saturday 4 July @ 21:00 – THE REZORT (2015) *UK TV Premiere
In the aftermath of an apocalyptic zombie outbreak, rich holidaymakers can visit a luxury theme park where every paying guest has a license to kill the captive undead in organised Zombie Safaris. Such Zafaris are the ultimate blood sport experience and for many much-needed therapeutic revenge for suffering horrendous family losses. When the security system crashes at The ReZort, unleashing hordes of bloodthirsty Zee’s on the unprepared vacationers, it’s up to enigmatic, former zombie hunter Archer (Dougray Scott) to save the day.
Sunday 12 July @ 21:00 – DON’T HANG UP (2016) *Channel Premiere
Two teens devise ever more elaborate prank phone calls to share online for their eager followers into impersonal humiliation. But as their involved practical jokes become increasingly nastier, it never occurs to them they might be playing a very dangerous game. So when a mysterious threatening stranger calls the home landline, they suddenly realise they may be in very real peril, as the caller reveals the violent extremes he’s willing to employ to extract retribution before they’re able to reveal his identity.
Based on the popular video game, Milla Jovovich and Michelle Rodriguez star as the leaders of a commando team who must break into "the hive," a vast underground genetics laboratory operated by the powerful Umbrella Corporation. There, a deadly virus has been unleashed, killing the lab's personnel and resurrecting them as the evil Un-dead. The team has just three hours to shut down the lab's supercomputer and close the facility before the virus threatens to overrun the Earth.
Saturday 11 July @ 23:00 – NO ONE LIVES (2012)
Fourteen students are murdered and the crime scene offers no clues to the whereabouts of the one person who could be the only survivor. Months later a gang of robbers screw up their latest heist and mug a couple in a car instead. What they realise too late is that the driver is the killer responsible for the student massacre. Then it’s Psycho vs. Psychos in a taut, tension-laden cat-and-mouse chiller that sees both sides trying to outdo the other.
Friday 17 July @ 22:50 – THE EVIL DEAD (1983)
Five college friends are holed up in a remote cabin where they discover a Book Of The Dead. An archaeologist's tape recording reveals that the ancient text was discovered among the Khandarian ruins of a Sumerian civilization. Playing the taped incantations, the friends unwittingly summon up dormant demons living in the nearby woods…
Saturday 25 July @ 21:00 – THE 6TH DAY (2000)
A ruthless power broker is using his advanced genetic-engineering technology to clone human beings for personal gain. Adam Gibson (Arnold Schwarzenegger), an old-fashioned family man and decorated fighter pilot comes home one night to discover that his life has been stolen by his clone, and his existence erased. Plunged into a sinister world of murder, corruption and high-tech deception, Adam must fight back in order to reclaim his family and his identity.
