WHAT THE GOLF? - Announcement Trailer - Nintendo Switch

WHAT THE GOLF? is a silly physics-based golf parody where every golf course is a new surprising type of golf, some brilliant or hilarious, others so absurd they will make you go: WHAT THE GOLF? Golf a house, a horse or car!

Out Now!

Netflix today announced Love & Anarchy, a new Swedish romantic dramedy from FLX

Netflix's Love & Anarchy, a new Swedish romantic dramedy from FLX, the production company behind Quicksand. For Love & Anarchy FLX have teamed up with acclaimed screenwriter and director Lisa Langseth.

”This has been my dream project for a long time. After working with this story alone in my basement I am so immensely glad to see it present itself together with a fantastic team. I have the best job in the world,” says Lisa Langseth.

The eight part series features Sofie, a career driven consultant and married mother of two. When Sofie gets an assignment to modernize an old publishing house she meets young IT tech Max, and an unexpected flirting game begins. Sofie and Max secretly challenge each other to do things that question modern day life. It starts innocently enough, but as the game gets more and more daring the consequences grow beyond proportions.

Love & Anarchy is created by Lisa Langseth with feature films like Euphoria, Hotell and Pure on her resumé. Langseth also serves as the head writer together with Alex Haridi (Quicksand, Blue Eyes, Real Humans). The series will be produced by FLX and the team behind Quicksand; producers Fatima Varhos (Quicksand, Blinded) and Frida Asp (Quicksand, The Bonus family) together with the executive producers Pontus Edgren (100 year old man, Sunny Side) and Martina Håkansson (Happy at Sea, Blinded).

Tesha Crawford, Director of International Originals Netflix Northern Europe: 
”We instantly fell in love with this female led project. Not only does the story follows a strong female character, we are also happy to team up with the talented Lisa Langseth and continue the great collaboration with FLX. We are looking forward to bringing this show to life with this amazing team.”

Frida Asp and Fatima Varhos, producers Love & Anarchy: 
”To continue our great collaboration with Netflix, with a project like Love and Anarchy, and having the honour to work with Lisa Langseth, one of Sweden’s most interesting and talented directors, is a dream come true. We are so happy that Netflix has the guts and faith to work with us on an original idea and we’re going to have so much fun.”

The Laundromat | Official Trailer | Netflix

A widow (Meryl Streep) investigates an insurance fraud, chasing leads to a pair of Panama City law partners (Gary Oldman and Antonio Banderas) exploiting the world’s financial system. Steven Soderbergh directs.

Watch The Laundromat, Only On Netflix: https://www.netflix.com/title/80994011

Arrow Video FrightFest announces line-up for Halloween 2019 event

Arrow Video FrightFest continues on its highly acclaimed and hugely successful Twenty Bloody Year rampage with a fear-packed journey through Halloween traditions, religious deviance, unstoppable maniacs, warped fairy tales, terrifying board games and the very rules of horror themselves.

The popular Halloween all-day event returns to the Cineworld Leicester Square on Saturday 2 November and the 12-hour monstrous marathon embraces four UK premieres, one European and one International premiere.

The day kicks off with the European Premiere of Josh Hasty’s CANDY CORN. With an impressive all-star genre cast (including Tony Todd, who exec-produces), an innovative iconic killer and cool score, say hello to a new twist on a Halloween tradition

This is followed by a 80s throwback horror comedy, WE SUMMON THE DARKNES. From Marc Meyers, director of My Friend Dahmer, this UK premiere delivers gore and guffaws with gleefully twisted abandon.

Next up is the International premiere of UNCANNY ANNIE, directed by Paul Davis, who gave us the fabulous documentary Beware The Moon: Remembering ‘American Werewolf In London’  This dice-throwing game of death and survival kicks off the second season of Hulu’s Blumhouse-produced series Into The Dark and Paul will be introducing the film.

Then there is the UK Premiere of SWALLOW, a warped fairy tale, posing provocative questions about the expectations imposed on women and the psychologically damaging effects of patriarchal culture. Anchored by Haley Bennett's knockout performance, this bold and atmospheric film marks the feature directorial debut of Carlo Mirabella-Davis.

The 8.30pm film is the UK premiere of TRICK, from Patrick Lussier, director of Drive Angry and the My Bloody Valentine remake. This surprising slasher delivers graphic shock after shock.

The finale presentation is SCARE PACKAGE which introduces us to the next generation of horror directors, Each of the eight talented filmmakers has selected a different horror sub-genre, taking aim at the tropes and overused clichés we find all too often in horror films.

Plus, we’ll be showing THE HAUNTED SWORDSMAN, the latest in acclaimed puppeteer Kevin McTurk’s Spirit Cabinet series. Corin Hardy, who backed the hugely successful Kickstarter campaign, will be joining us to introduce the acclaimed short.

Alan Jones, FrightFest co-director, said today: “Get your knives out, your chainsaws revved up and your machetes raised as FrightFest,  the UK’s biggest and best genre event returns to the Cineworld Leicester Square on Saturday November 2 for a morning of mayhem, an afternoon of anguish and an evening of evil in a day of the dead extravaganza. Happy Halloween everyone!”

Day passes (£47) and single tickets (£14.50) go on sale at noon on Saturday 5th October.

To book: http://www.frightfest.co.uk/tickets.html
(Online booking only)


FULL LINE UP:

11.00: CANDY CORN (European Premiere)

Director: Josh Hasty. With: Courtney Gains, PJ Soles, Tony Todd, Sky Elobar. USA 2019. 85 mins.

Synopsis: It’s Halloween in Grove Hill, Ohio. A traveling carnival arrives for the weekend and local outcast, Jacob Atkins, is hired as one of the freaks in the main attraction, ‘Dr. Death’s Side Show Spook House Spectacular’. But the local bullies are planning their annual public hazing of Jacob, only this year things go too far, a monster hungry for blood is created by one of the carnies … and revenge never tasted so sweet.

12:45 WE SUMMON THE DARKNESS (UK Premiere)

Director: Marc Meyers. With: Alexandra Daddario, Logan Miller, Keean Johnson, Johnny Knoxville. USA 2019. 87 mins

Synopsis: Be careful what you pray for! It's 1988 and people are terrorised by a nationwide rash of apparently satanic murders, which appear to be connected to kids who go to heavy metal concerts. Three girls meet three guys at one such gig and go back to Alexis' family's country house for a debauched after-party. There the boys learn to their horror that the girls are not the enthusiastic rock fans they seem to be, but something much more terrifying.


PLUS….THE HAUNTED SWORDSMAN (UK Premiere)

Director: Kevin McTurk. With: Jason Scott Lee, James Hong. USA 2019. 16 mins.

Synopsis: Kevin McTurk’s handcrafted epic puppet film, follows a Ronin samurai (Jason Scott Lee) on a supernatural quest for vengeance with only a severed head (James Hong) as his guide.

15:15 UNCANNY ANNIE (International Premiere)

Director: Paul Davis. With: Georgie Flores, Adelaide Kane, Paige McGhee, Jacques Colimon, Dylan Arnold, and Evan Bittencourt. USA 2019. 80 mins

Synopsis: On Halloween night, a group of college students get trapped in a mysterious board game that brings their darkest secrets and fears to life, where they must play to escape…and win to survive.

18:15 SWALLOW (UK Premiere)

Director: Carlo Mirabella-Davis. With: Haley Bennett, Austin Stowell, Denis O’Hare. USA 2019. 94 mins.

Synopsis: Hunter is a newly pregnant woman whose idyllic existence takes an alarming turn when she develops a compulsion to eat dangerous objects. As her husband and his family tighten their control over her life, she is forced to confront the dark secret behind her uncontrollable obsession.

20:30 TRICK (UK Premiere)

Director: Patrick Lussier. With: Omar Epps, Kristina Reyes, Ellen Adair, Tom Atkins. USA 2019. 97 mins.

Synopsis: Halloween night in Benton, New Jersey, 2015, and the student they call Trick suddenly freaks out and causes a bloody massacre. Injured by his friend Cheryl, Trick is taken to hospital but miraculously escapes…. and every October 31st returns to cause further murderous mayhem. Detective Mike Denver promises to bring the seemingly unstoppable killer to justice – a vow that begins to border on obsession as he becomes convinced they are dealing with a supernatural entity.

22:45 SCARE PACKAGE (UK Premiere)

Directors: Courtney Andujar, Hillary Andujar  , Anthony Cousins, Mali Elfman, Emily Hagins, Aaron B. Koontz, Chris McInroy, Noah Segan, Ryan Spindell, Baron Vaughn. With: Gabrielle Maiden, Baron Vaughn, Noah Segan, Tristan Riggs. USA 2019. 103 mins.

Synopsis: Chad Buckley is a lonely horror aficionado spending his days at his struggling video store, where he argues with his only regular customer, Sam. When Hawn, an unsuspecting applicant, shows up, Chad teaches him about the Rules of Horror, much to Sam’s chagrin, illustrated by different hilarious horror shorts, each one geared at cleverly subverting a unique set of terror tropes. As Hawn learns the ropes, he suspects Chad of something sinister, while he too may have a secret of his own.

For full programme details: http://www.frightfest.co.uk/

Close to the Sun Game Preview - Xbox One

Close to the Sun is a first-person story driven horror game, already released for PC, it is released on consoles at the end of October. I got my hands on a Xbox One preview code thanks to the good people at Wired Productions, and I played the first 3 chapters.

The game is set in an alternative 19th century, where Nikola Tesla achieved much of what conspiracy theorists claimed he was stopped from doing, and he has indeed changed the world.

Visually the game will instantly remind you of Bioshock, but the game plays very different. You control a journalist called Rose, and you find yourself aboard Tesla's huge scientific vessel the Helios after receiving a message from her sister Ada.

Close to the Sun is a first person horror game, and leaves you completely immersed in a world whereby you have to explore and solve mysteries, all the whole surrounded by what can be a very scary environment.

The game itself although lacking in some gameplay areas, this is very much an examine everything and follow the storyline type of game. The game plays more like a way to better understanding Tesla, his mind, his motivations, all the way finding yourself terrified by the set pieces. And the jump scares will get your heart pounding.

The puzzles you solve are on a fair learning curve, with the earlier puzzles being quite simple, and as you progress through the game they slowly get harder and really test your memory skills. And I do enjoy these types of games, and I am the kind of person who really tries to follow every aspect of the story and take it in, not to mention my handy notepad I always have with me to help me with the puzzles.

Close to the Sun is a horror game, it is not for kids, this is a challenging game at time, but I am sure by the time you complete it you will feel a great sense of accomplishment, not only at beating the game but by feeling a part of the game and understanding better what Tesla could have been.

I look forward to getting my hands on the final game.

Close to the Sun is available now on the Epic Games Store and set to release later in 2019 on PlayStation 4, Xbox One and Nintendo Switch.

New trailer and behind the scenes photos for Sam Mendes’ upcoming WW1 epic 1917

Sam Mendes, the Oscar®-winning director of Skyfall, Spectre and American Beauty, brings his singular vision to his World War I epic, 1917.

At the height of the First World War, two young British soldiers, Schofield (Captain Fantastic’s George MacKay) and Blake (Game of Thrones’ Dean-Charles Chapman) are given a seemingly impossible mission. In a race against time, they must cross enemy territory and deliver a message that will stop a deadly attack on hundreds of soldiers— Blake’s own brother among them.

1917 is directed by Sam Mendes, who wrote the screenplay with Krysty Wilson-Cairns (Showtime’s Penny Dreadful). The film is produced by Mendes and Pippa Harris (Revolutionary Road, Away We Go) for their Neal Street Productions, Jayne-Ann Tenggren (associate producer, Spectre), Callum McDougall (executive producer, Mary Poppins Returns, Skyfall) and Brian Oliver (Rocketman, Black Swan).

eOne will release 1917 in UK and Irish cinemas January 10, 2020.

Poster for Mati Diop's ATLANTICS

ATLANTICS is the 2019 Grand Prix winner at Cannes Film Festival and marks the feature narrative debut for director Mati Diop. The film has been selected as Senegal’s official entry for the best international feature film at the 92nd Academy Awards in 2020.

The film has its UK premiere at the BFI London Film Festival on Friday 4 October 2019.

After a group of unpaid construction workers disappears at sea one night in search of a better life abroad, the women they have left behind in Dakar are overwhelmed with a mysterious fever.  Ada, 17, secretly grieves for her love Souleiman, one of the departed workers, but she has been promised to another man. After a fire breaks out on her wedding night, a young policeman is sent to investigate the crime. Little does he know that the aggrieved workers have come back as haunting, possessive spirits.  While many of them seek vengeance for their unpaid labor, Souleiman has come back for a different purpose - to be with his Ada one last time.

In UK cinemas on 22 November 2019 and on Netflix November 29 2019

The Furnace - Official Trailer and Poster

From Academy Award Nominated director Darrell Roodt, and nominated for Best Feature Film at the Nice International Film Festival, THE FURNACE is an Exploration Films release, available this October, 2019.

Newlyweds Mary (Jamie Bernadette) and Matt celebrate Christmas - and their passion for running - with two honeymoon tickets to Africa’s ultimate footrace, The Furnace. Their excitement to race together across the biggest animal reserve in the world has them inspired. Then in a horrific flash, everything’s gone including Mary’s purpose for living.

A year later, Mary is grieving. Struggling to breathe with an oxygen tank, she cries out her anger at God. Standing nearby, a man (Luthuli Dlamini) sees her suffering, and shares his own story of loss. Once a doctor in Africa, he fled to America when civil war annihilated his town. Now known by the nickname, ‘Coffin,’ he digs graves after losing his practice. Coffin urges Mary to keep on believing, push through and recover, offering his help as a doctor and friend. Over time Coffin’s dedicated support and intense training helps Mary grow strong, and live to run again. But what will it take to let go of her pain and loss when she finally enters The Furnace?

DRIVEN, starring Lee Pace as 'John DeLorean' releases in cinemas 8th November

Synopsis:
In an affluent San Diego neighbourhood, former drug-smuggler turned FBI informant Jim Hoffman befriends his famous neighbour, motoring engineer and designer John DeLorean. Bedazzled by DeLorean’s charm and vision, Jim soon finds himself in DeLorean’s inner circle at the launch of a new enterprise that promises to revolutionise the American motor industry.

However, when DeLorean’s dream hits the buffers with his company set to go belly- up, Jim offers the car maker a way out - one that will betray his new friend, please his FBI bosses, and leave the DeLorean dream in the dust.

DRIVEN, starring Lee Pace as 'John DeLorean' releases in cinemas 8th November

Wired Productions Partners with LKA to Present Martha is Dead to Global Audience

Watford, UK – October 2, 2019 – Award-winning global publisher, Wired Productions, and acclaimed Italian studio, LKA, have announced Martha is Dead, a dark psychological thriller tipped for release in 2020.

Following its debut title, The Town of Light which released in 2016, Martha is Dead continues LKA’s signature style of deep multi-layered narratives combined with real locations and a mix of history, superstition and psychological distress. LKA's expertise for delving into complex and riveting subject matter that borrows from both fact and fiction helps to distinguish its development pedigree and passion.

Set in Tuscany, 1944, south of the Gothic line, as conflict intensifies between German and Allied forces, the desecrated body of a woman is found drowned. Her twin sister, the young daughter of a German soldier must deal with the acute trauma of loss, while the truth of the brutal murder is shrouded by mysterious folklore and the extreme horror of war draws ever closer.

Watch the trailer below.


With photo-realism at its core and using advanced texturing techniques alongside full support for real-time ray tracing, Martha is Dead is built in Unreal® Engine 4 and is set once again to blur the boundary between gaming and reality by bringing human stories to life; amplified with high-level production, cinematic visuals and haunting audio.

“We are delighted to be once again working with the incredibly talented team at LKA as their ability to bring stories to life is once again demonstrated with this unique project,“ said Leo Zullo, Managing Director, Wired Productions, “Martha is Dead is a beautiful and haunting adventure that will take players through an unforgettable story, and we’re confident it will leave a mark with gamers as it has done with us..”

“At LKA we want to tell stories that push your imagination to the limits, while embracing those real-world elements that make our narratives more immersive and grounded,” said Luca Dalcò, Founder and Creative Director, LKA. “We’re delighted to be once again joining forces with Wired Productions, a publisher who shares our vision while providing incredible support to bring our game to market.”

Fans of first-person thrillers will experience a unique opportunity through Martha is Dead, as the game offers a chilling story seen through the eyes of an innocent young woman who is on a mission to find out the truth. Along the way, she will encounter situations and discover things no one should have to… mortal death was the easy path compared to this one marred by mental and emotional distress which lingers on.

Currently in development, Martha is Dead is set to arrive in 2020 with further details, including platforms, to be announced.

Nicolas Cage and Laurence Fishburne to star in explosive drug thriller Running With The Devil

Running With The Devil will be released on 4th November across all major digital platforms. The film stars the iconic Nicolas Cage (Face Off / Mandy), Laurence Fishburne (The Matrix / Hannibal) as well as Cole Hauser and Leslie Bibb.

When a cocaine shipment is compromised to the dismay of the Cartel's ringleader, The Boss (Barry Pepper) orders his most trusted Man (Laurence Fishburne) and another master drug trafficker, The Cook (Nicolas Cage), on a dangerous journey to audit the company's supply chain.

Jason Cabell makes his directorial debut, as well as writing the film. The former active-combat Navy SEAL will utilise his military experience and knowledge, having served in over 100 countries across the world.

Running With The Devil will be available on Digital Download from 4th November

Interview with Nicholas Vince ahead of his one-man show I AM MONSTERS!

Behind the masks…ahead of his one-man show, I AM MONSTERS! at The Pleasance Theatre, actor and writer Nicholas Vince describes his monstrous journey…

You’re best known for your portrayal of the Chatterer Cenobite in Clive Barker’s Hellraiser and Kinski in Barker’s Nightbreed. What is it you remember most about playing these iconic monsters?

The many talented people and long processes involved in creating the makeups. I may have brought life to the characters, but it was the makeup artists (Nigel Booth on Chatterer, Cliff Wallace on Chatterer II and Neil Gorton on Kinski) who sculpted and painted them based on Clive Barker's designs. Before we reached filming those guys spent weeks creating the masks.

Most of all I remember the laughter. OK, wearing Chatterer was extremely restrictive in terms of seeing, hearing and speaking, and Kinski was early starts and 5 hours in makeup, but there was a great atmosphere on all the films. In fact on Hellraiser I was threatened with death by the sound engineer as my laughter in the dressing room was ruining takes on the nearby set.


How did you first become attracted to monsters?

Aged eight I borrowed a copy of The Golden Treasury of Myths and Legends by Anne Terry White from the local library. It contained stories from Greek, Norse, Celtic, French and Persian myths and legends. I must have run out of time to read all the stories as I clearly remember the Greek and Norse stories, and less so the ones at the back of the book. Obviously, the stories are written about the heroes, but they interested me far less than the Minotaur, Medusa and Sphinx.


You were born undershot and had to have major surgery aged nineteen. Can you describe the experience for us?

Basically, I was born with a smaller than usual top jaw meaning my upper teeth closed behind my lower, rather than the other way round, which is normal. The surgery lasted nine hours, during which they detached the upper jaw and using pieces of bones from my hips as wedges moved it forward. It was a pretty trying experience as I was in intensive care for two days afterwards, during which I nearly died. Following that I had my jaws wired together for six weeks. Mum served my portion of family meals on a plate to check I was getting enough and then liquidised it. I remember fish and chips required a lot of salad cream so that I could suck it through a straw.

In your one-man show you talk about being gay but remaining closeted during the 70s. How did this impact on your relationships?

Once I'd moved away from home, I was able to come out to close friends, but not my parents. That didn't happen until my mid-thirties. I do regret that as they were very loving and when a relationship fell apart with a boyfriend, it meant I missed out on their support. And not being completely out, by which I mean just keeping quiet about relationships, being an apparent loner, it complicated my friendships with good looking straight men, as I was afraid if they realised I fancied them they'd either cut me off or beat me up.


How did you meet Clive Barker?

At a party in Crouch End. We got chatting and he invited me to model for him as he was preparing paintings for the covers of the UK hardback versions of his six volume collection, The Books of Blood. So my face, and other parts of me, appear on the covers of most of the books in that edition.


Is it true that the design of the Chatterer was partly inspired by your own facial reconstruction?

Yes. I'd told Clive about a documentary I'd seen about facial reconstructive surgery where they'd obviously used a similar technique to my surgeons, as the only cut was between my upper lip and gum and they'd peeled the face back so they could detach the upper jaw. The flesh of the face was held in place by clamps, much like Chatterer.


To play the Chatterer, you had to wear a mask and makeup that were extremely restrictive. How challenging was that?

I could only see a portion of the floor through a small hole below my left eye; had false teeth in so speech was like having my hands shoved in my mouth and muffled hearing due to the foam latex mask. So, I had a minder with me at all times leading me onto set holding hands, like a toddler and then they had to relay instructions from behind camera by shouting through the mask. The costume was very tight fitting as they'd taken a life cast of my torso so it could be made as close fitting as possible. I could only lift my arms to shoulder height.

Someone recently complimented me on my 'meticulous performance' and I realised that's one of the strengths of Chatterer. We could only do short sequences with me as I had to learn my moves quickly and I worked hard to replicate them accurately, but that stillness and precision give him a great deal of power.


And the make-up for Kinski in Nightbreed was reported to take two people five hours to apply. Is that true?

Yes, up at 3am for a car from Streatham to Pinewood for 4am and the makeup chair for five hours. But I just had to sit still for that time. The two guys who applied it, Neil and Mark, were on their feet all that time making sure the pieces were properly applied and you couldn't see the edges. I wasn't allowed to fall asleep, so they had a VHS player and I remember watching Steve Martin and John Candy in 'Planes, Trains and Automobiles. Which was frustrating as I also wasn't allowed to laugh either!


You left acting after Nightbreed to concentrate on writing comics for Marvel and collections of short horror stories. What is it about the writing process you find so alluring?

It's the fun of telling stories and talking to readers.  In many ways it's more challenging than acting as there you have a script and you're putting the flesh on the bones, but with writing you're faced with the sometimes terrifying wastes of a blank page. I remember Peter Atkins, the screenwriter of Hellbound: Hellraiser II, telling me when I first started writing, "Nick, there will be a time, at least once a day, when you'll wonder why you ever thought you can write."

He was right and the only way I've found to get through it is to do research, which as a writer said at literary event the other day can be, "Research, bordering on procrastination." And then it's just a question of writing something, anything, as you can polish it.

And I guess the allure for me, is that I get to get some of the really weird stuff in my head out and into the world.


In recent years you've returned to acting in UK independent horror films, such as Hollower (dir. MJ Dixon), Book of Monsters (dir. Stewart Sparke), Borley Rectory (dir. Ashley Thorpe) and For We Are Many (Lawrie Brewster and Paddy Murphy). Do you have further roles in the pipeline?

There are a couple, but I'm waiting for them to be released before I can talk about them. I did do an interview for the extras on the Arrow Video release of the theatrical and director's cuts of Nightbreed, which they're releasing on 28th October, and which is available for pre-order. I believe this is the first UK release of the film since the VHS version back in the 1990's.


Do have any other plans for I AM MONSTERS! after its premiere at the London Horror Festival?

People have been very interested in the show and I've had enquiries about taking it to Liverpool and Las Vegas. Both of which would be really cool, as Liverpool is Clive's home town and I've never been to Vegas.


Nicholas will be opening the London Horror Festival 2019 with his one-man show I AM MONSTERS!, from 8th to 10th October (7pm) at the Pleasance Theatre.

Tickets: 020 7609 1800
https://www.pleasance.co.uk/event/london-horror-festival-i-am-monsters#overview

NEWS & TRAILER: Award-winning sci-fi series Nikola Tesla and the End of the World returns to Amazon Prime Video for season two

Synopsis:
The award-winning, charming and quirky sci-fi series Nikola Tesla and the End of the World is returning to Amazon Prime for season two. The original series won a number of accolades worldwide and was nominated for “Best British Series” at Raindance.

In the new series, two physicists and a lost boyfriend use Nikola Tesla's multiverse device to travel through parallel Brooklyns and bring Nikola home... if they can get him out of debt and defeat an inter-dimensional death cult.

Fast-paced and zany, Nikola Tesla and the End of the World puts a fresh spin on history, science, and social commentary. The series explores the intersection of science and ethics, cutting-edge scientific theories, as well as the frightening potential of powerful technology. The series has a fresh format and style, a stellar cast and 628,609 possible worlds to explore.

Nikola Tesla and the End of the World is written, directed and created by Canadian filmmaker Ian Strang and stars Stephanie Sy (Netflix’s Fractured, The Grudge), Gillian MacGregor (The Stolen, Beyond), Paul O'Neill (The Guard of Auschwitz), Adam Hurtig (Cult of Chucky, JT LeRoy) and John B. Lowe (The Butterfly Effect, The Haunting in Connecticut).

A CBC Gem Original in Canada, the full series will also be available on Amazon Prime Video in the UK and USA.

Nikola Tesla and the End of the World Season Two is released on Amazon Prime Video - Link opens in a new window from 4th October.

Official website: www.teslaseries.com